Movie Reviews by Lindsey Bahr - Page 5 of 22

81-100 of 430 Reviews

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Review of The Royal Treatment (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 20 Jan 2022

Like a drug store chocolate bar, it just is…

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Review of Hotel Transylvania: Transformania (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 11 Jan 2022

It’s hard to overstate just how garish and frenetic this whole endeavor is. Even with the explosion of colors it still strains to hold interest…

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Review of The 355 (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 06 Jan 2022

The 355, directed by Simon Kinberg (“X-Men: Dark Phoenix”) who co-wrote with Theresa Rebeck (“Smash”), is not an instant classic by…

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Review of Jockey (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 30 Dec 2021

The framework, as predictable as it is, works because of the sincerity behind the endeavor and the depth of Collins’ performance…

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Review of Parallel Mothers (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 22 Dec 2021

It’s a film that on one level plays like a melodrama, with wild twists and turns fitting of soap opera cliffhangers…

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Review of The King's Man (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 21 Dec 2021

At a certain point, it becomes clear that not only is The King’s Man a tonal mess, it’s also just a set-up for a movie with an even more…

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Review of Nightmare Alley (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 15 Dec 2021

The themes are obvious and a bit old fashioned and the trajectory is too…

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Review of Being the Ricardos (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 09 Dec 2021

Sorkin bites off a lot here — he wants this film to be about everything…

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Review of Flee (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 01 Dec 2021

Amin’s attempts to get to the West with his mother and brother are harrowing enough to give you an ulcer…

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Review of House of Gucci (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 22 Nov 2021

And in spite of the absurdity, it is stupidly watchable…

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Review of C'mon C'mon (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 17 Nov 2021

C’mon C’mon doesn’t really go anywhere in particular. It’s a meandering experience, but purposefully so…

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Review of King Richard (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 17 Nov 2021

There are, hopefully, still many stories left to be told about the phenom of the Williams sisters. But King Richard is a very good start…

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Review of Belfast (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 10 Nov 2021

So many films are described as love letters — to places, to time, to people, to even the idea of cinema — that the phrase has almost been…

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Review of Julia (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 09 Nov 2021

It’s still a satisfying and fun tribute to someone whose impacts on modern food culture and celebrity are still being felt…

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Review of Finch (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 03 Nov 2021

You’re probably not coming to Finch for lessons, you’re coming to Finch for Hanks…

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Review of Antlers (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 27 Oct 2021

Despite the admirable ambitions and the prestigious names involved, including stars Keri Russell and Jesse Plemons as well as producer Guillermo…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 20 Oct 2021

Perhaps there is something to the fact that fairly or not, some of the luster has dulled due to familiarity, but The French Dispatch remains…

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Review of Halloween Kills (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 13 Oct 2021

The big problem is that Halloween Kills is less of a sequel than a half-baked interlude before the finale…

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Review of The Rescue (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 06 Oct 2021

This should be a no-brainer for anyone who watched the saga unfold on television, but even those who weren’t glued to the screen in 2018…

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Review of Venom: Let There Be Carnage (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 30 Sep 2021

It’s hard to overstate just how much the relative success of this film comes down to Hardy and his go for broke performances as Eddie and Venom…

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