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Last updated: 09 Jul 2026 at 14:20 UTC

Movie Reviews by Leslie Felperin - Page 3 of 39

41-60 of 768 Reviews

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Review of One Way (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 02 Sep 2022

Baker, with his scrawny frame and ratty features, can actually act, although he’s consistently upstaged by young Reid, as the stronger performer…

Review of The Feast (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 25 Aug 2022

Jones skilfully cranks up the creepiness a notch at a time with an ominous soundtrack and stylish lighting, until the dial is way past 11 and…

Review of The Feast (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 25 Aug 2022

Jones skilfully cranks up the creepiness a notch at a time with an ominous soundtrack and stylish lighting, until the dial is way past 11 and…

Review of Dragon Ball Super: Super Hero (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 18 Aug 2022

Super Hero gamely tries to explain the backstory a bit at the beginning, but trying to keep up as we are plunged into a world of bad guys with…

Review of The Hating Game (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 16 Aug 2022

This romcom set in a Manhattan publishing house is about as bland and as easily consumed as a cone of soft-serve ice-cream on a hot day…

Review of Orphan: First Kill (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 15 Aug 2022

The most disappointing thing about the film is that it has none of the spark or originality of the first one and just parasitically drains…

Review of Hot Seat (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 07 Aug 2022

The script and direction by prolific low-budget film-maker James Cullen Bressack do spring a few mild surprises and minor twists to spice things…

Review of The Reef: Stalked (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 26 Jul 2022

Traucki manipulates the suspense competently enough, but this film mostly depends on tedious jump-scares for its effect, and has a few too…

Review of My Old School (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 22 Jul 2022

Simply designed animation, modeled on the look of cool cartoons of the time such as Daria, adds an extra comic jauntiness…

Review of How to Please a Woman (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 19 Jul 2022

The end result is nowhere near as persuasive or grounded in solid screenwriting as Leo Grande is, but Phillips has always been a charmer onscreen…

Review of She Will (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 19 Jul 2022

It’s a fetching package, which makes it all the more frustrating that the script isn’t tauter and sharper…

Review of Fortress: Sniper's Eye (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 06 Jul 2022

Amid all this dross there is a charming scene in where a young couple, played by Natalie Burn and Michael Sirow, banter and giggle: their screen…

Review of Rubikon (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 06 Jul 2022

While the ensuing sense of despair that overwhelms the drama is credible, it does bring with it a certain sense of torpor that makes the film…

Review of Clean (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 28 Jun 2022

Apart from the occasional bit of voiceover from Clean, our hero barely says much at all, leaving it to Brody to do a lot of acting with those…

Review of Clean (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 28 Jun 2022

Apart from the occasional bit of voiceover from Clean, our hero barely says much at all, leaving it to Brody to do a lot of acting with those…

Review of Major (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 28 Jun 2022

The producers have clearly paid up for the extras, sets and visual effects making this a lavish work, never dull for a second of its ample…

Review of The Sea Beast (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 22 Jun 2022

The Sea Beast gets the balance just right between rollicking action scenes, the inevitable didactic anti-hunting message about respecting other…

Review of Mad God (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 14 Jun 2022

This is undoubtedly a work of historic significance, made by a master in his field – but beware that it often feels like a film-making notebook,…

Review of Last Looks (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 07 Jun 2022

Altogether it would be pretty bouncy and fun if it didn’t have the wretched Gibson in it…

Review of Dashcam (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 01 Jun 2022

Nasty, brutish and mercifully short, but occasionally mildly amusing, Dashcam represents another dollop of pandemic-themed shock schlock from…

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Leslie Felperin has written reviews for:

Variety (12,700)
The Hollywood Reporter (7,050)
Guardian (4,584)
Empire (3,446)
The Guardian (2,969)
Hollywood Reporter (2,966)
Radio Times (2,421)
Film4 (1,522)
Sight and Sound (827)

Leslie Felperin is connected to:

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