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Last updated: 09 Jul 2026 at 14:19 UTC

Movie Reviews by Leslie Felperin - Page 2 of 39

21-40 of 768 Reviews

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Review of To the End (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 21 Nov 2022

Due to the fact that the canvas is broader this time around — and the subjects Lears has chosen to focus on don’t have four discreet, parallel…

Review of Retrograde (2023)

By Leslie Felperin (768) for The Guardian (2,969) on 11 Nov 2022

It seems almost frivolous to note this, but the hyper high-definition cinematography is both beautiful in a savage way and adds immediacy to…

Review of Retrograde (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 11 Nov 2022

It seems almost frivolous to note this, but the hyper high-definition cinematography is both beautiful in a savage way and adds immediacy to…

Review of Guillermo del Toro's Pinocchio (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 09 Nov 2022

I feel tempted to say there’s a leaner, stronger film inside this that could have been coaxed out, but in the light of the film’s message…

Review of Louis Armstrong's Black & Blues (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 27 Oct 2022

Luxuriating in a wealth of archival material that encompasses radio and TV interviews, privately recorded conversations from reel-to-reel tapes…

Review of Vesper (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 21 Oct 2022

Vesper plays like a cult film waiting to be discovered…

Review of Brainwashed: Sex-Camera-Power (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 17 Oct 2022

Clearly made with the best of didactic intentions, and especially affecting when paying tribute to “original gangster” film theorist Laura…

Review of Roald Dahl's Matilda the Musical (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 05 Oct 2022

The team manages to hit most of the right notes with this perky, peculiar adaptation…

Review of Clerks III (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 15 Sep 2022

Like the junk food that the central characters sell in their convenience store, it’s a strangely moreish brew that you enjoy but feel faintly…

Review of The Silent Twins (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 14 Sep 2022

However intrinsically fascinating the Gibbons sisters’ story might be, Smoczynska and Seigel’s interpretation of the material feels off…

Review of Ticket to Paradise (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 14 Sep 2022

Thinly scripted rom-com Ticket to Paradise puffs its way through 104 minutes mostly on the vapors of its lead actors gassing around together,…

Review of The Retaliators (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 13 Sep 2022

Without revealing which one wins out, I can assure you that a huge amount of murderous mayhem is unleashed, including death by woodchipper…

Review of Blonde (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 08 Sep 2022

This is a portrait of Monroe that accentuates her suffering and anguish, canonising her into a feminist saint who died for our scopophilic…

Review of Dead for a Dollar (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 08 Sep 2022

Although Hill certainly puts in a few sly tips of the hat to canonical and cult favorites and is clearly enjoying exploiting the audience’s…

Review of Bullet Proof (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 06 Sep 2022

In short, this is not very good but there are worse things you could be watching as you fall asleep on the sofa after a heavy night’s drinking,…

Review of The Eternal Daughter (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 06 Sep 2022

In the end, it plays a little too often like an academic pastiche of horror tropes even though its emotional core rings with resonance…

Review of I Used to Be Famous (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 06 Sep 2022

This schematic but sweet-natured comedy drama drives down a narrative track as straight and comfortingly predictable as an episode of Thomas…

Review of A Couple (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 04 Sep 2022

The result is an expressive and moving portrait of a tempestuous marriage, one told with elan that feels rich in feeling even if its entire…

Review of One Way (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 02 Sep 2022

Baker, with his scrawny frame and ratty features, can actually act, although he’s consistently upstaged by young Reid, as the stronger performer…

Review of One Way (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 02 Sep 2022

Baker, with his scrawny frame and ratty features, can actually act, although he’s consistently upstaged by young Reid, as the stronger performer…

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Leslie Felperin has written reviews for:

Variety (12,700)
The Hollywood Reporter (7,050)
Guardian (4,584)
Empire (3,446)
The Guardian (2,969)
Hollywood Reporter (2,966)
Radio Times (2,421)
Film4 (1,522)
Sight and Sound (827)

Leslie Felperin is connected to:

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