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Last updated: 15 Jun 2026 at 19:17 UTC

Movie Reviews by Leah Greenblatt - Page 4 of 37

61-80 of 734 Reviews

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Review of Bones and All (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2022

Take away the people-eating, and it could almost be a Springsteen song…

Review of TÁR (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2022

The movie belongs to Blanchett, in a turn so exacting and enormous that it feels less like a performance than a full-body possession…

Review of Empire of Light (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Sep 2022

Colman, her eyes darting between hope and devastation, is so lit-up and specific (and funny, a quality that doesn't seem to get mentioned enough)…

Review of Don't Worry Darling (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Sep 2022

The movie, whatever its pile of ideas about love, gender constructs, and modern living, never really transcends Stepford mood-board pastiche…

Review of Women Talking (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Sep 2022

There's a deep vein of humor and humanity that Polley and her actors mine from the text, and something quietly mesmerizing in their meticulous…

Review of Honk for Jesus. Save Your Soul. (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Sep 2022

Honk for Jesus shares a lot of Tammy Faye's small-screen feel and sense for winky episodic comedy; like that movie too, it's held together…

Review of Breaking (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 31 Aug 2022

A showcase mostly for Boyega and Beharie, whose tense, delicate interplay makes up much of the movie's emotional core…

Review of Three Thousand Years of Longing (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 31 Aug 2022

It's a gentler, sadder movie than the dizzying trailer suggests, and less driven by plot than a stickler for storytelling like Alithea might…

Review of Mack & Rita (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 19 Aug 2022

Keaton seems to be having a ball with her pratfalls too, though you wish it wasn't all played so silly and flat-out conventional in the end…

Review of Day Shift (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Aug 2022

Shift looks and feels low-budget, from its slapdash effects to its sketched-in script, though that also feels like kind of the point: It might…

Review of Bodies Bodies Bodies (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Aug 2022

Depending on your demographic, Bodies will probably either make you feel seen or utterly obsolete…

Review of Bullet Train (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Aug 2022

Leitch embarks on a series of adrenalized set pieces that defy logic and physics so breezily that its relentless, ridiculous violence plays…

Review of Mrs. Harris Goes to Paris (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Jul 2022

They don't really make fairy tales for women over 40. If they did, though, it might look a little like Mrs…

Review of Where the Crawdads Sing (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Jul 2022

Director Olivia Newman (First Match) bathes the story in so many broad, creaky tropes and odd tonal shifts that nothing ever feels real for a moment…

Review of Nope (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Jul 2022

Peele has never leaned this close to early Spielberg (or if you're feeling less charitable, mid-period M. Night Shyamalan)…

Review of The Gray Man (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Jul 2022

A maximalist action thriller that is almost comically violent, unfailingly glib, and intermittently very fun…

Review of Mr Malcolm's List (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jul 2022

Despite the source material's similar popularity, though, the movie drags, a confluence of silly plot points and mile-wide archetypes with…

Review of Persuasion (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jul 2022

This Persuasion chooses to wear its source material like a thin disposable skin, discarding many of the vital organs (brain, heart) and most…

Review of Marcel the Shell with Shoes On (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jul 2022

At just under 90 minutes, the movie is as short and sweet as its stamp-size muse, but an uncommon loveliness lingers; Marcel might just be…

Review of Thor: Love and Thunder (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Jul 2022

Even in Valhalla or Paradise City, though, there is still love and loss; Thor dutifully delivers both, and catharsis in a climax that inevitably…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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