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Last updated: 24 Jun 2026 at 07:56 UTC

Movie Reviews by Leah Greenblatt - Page 20 of 37

381-400 of 734 Reviews

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Review of The Lion King (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Jul 2019

The story and the songs, with a few notable if hardly unexpected updates, are fondly faithful to the original; the magic mostly intact…

Review of The Farewell (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Jul 2019

Wang’s story outline shares the familiar contours of other immigrant tales: the Babel tower of half-spoken languages; the ties that bind…

Review of Stuber (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Jul 2019

To be clear, Stuber is a very silly movie: Half the action scenes look like they were shot inside a Cuisinart, the sexual politics are questionable,…

Review of Wild Rose (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Jun 2019

Director Tom Harper (War & Peace) aptly conveys the single-mindedness that a life of art requires, and the double standard applied to the women…

Review of American Woman (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Jun 2019

As more than a decade passes on screen, the one constant is Miller’s presence in every scene: a messy, chain-smoking sex kitten stumbling…

Review of Midsommar (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Jun 2019

Like the fretful violins that stagger raggedly over the soundtrack, the skin-pricking pleasures of Midsommar aren’t rational, they’re instinctive…

Review of Murder Mystery (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Jun 2019

Aniston and Sandler, paired before in 2011’s Just Go With It, relax into their roles as if their only stake in Mystery is to enjoy the free…

Review of The Last Black Man in San Francisco (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jun 2019

It’s not a movie for admiring in freeze frame; it’s the kind you fall into with your whole heart and emerge from feeling, for two hours…

Review of Late Night (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Jun 2019

The best scenes in Late Night are consistently the ones where the movie’s main stars spar and banter and intermittently connect; two unlikely…

Review of Dark Phoenix (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Jun 2019

For what is being called a final installment, it all tends to feel both anticlimactic and a little grim in the end…

Review of Always Be My Maybe (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 May 2019

The stuff of a thousand future Twitter gifs, though, is a featured appearance by Keanu Reeves…

Review of Ma (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 May 2019

Even as the story descends into full bloody camp at its crescendo, Spencer holds the more ludicrous plot threads together…

Review of Rocketman (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 May 2019

Egerton’s whole-body commitment captures not just Elton’s outrageous physicality — in costume designer Julian Day’s hands, he’s essentially…

Review of Booksmart (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 May 2019

If the storyline doesn’t so much unfold as burst out in glittery puffs — and if music cues seem to make up about 40 percent of the plot—it’s…

Review of The Souvenir (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 May 2019

The story casts a spell, and Swinton Byrne is a milky, beguiling presence; it’s almost as if you’re watching her become a person in real time…

Review of The Sun Is Also a Star (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 May 2019

The leads are both charming, but they can’t override the tooth-aching sincerity of the script, or the cardboard conflicts that propel it…

Review of The Biggest Little Farm (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 May 2019

As the story unfolds over nearly a decade, Biggest becomes something even more impactful: a thoughtful and often profoundly moving portrait…

Review of The Hustle (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 May 2019

There are a few legitimately great throwaway lines, and a few vaguely offensive ones…

Review of Extremely Wicked, Shockingly Evil and Vile (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 May 2019

What makes it more than a slick impersonation of sociopathy, though, is the layers he peels — Bundy’s desperation, his endless calculations…

Review of The Intruder (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Apr 2019

The whole thing would be more fun, you start to feel, if Intruder just committed fully to the schlocky midnight-movie glory of it all; let…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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