Movie Reviews by K. Austin Collins - Page 11 of 18

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Review of Creed II (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 29 Nov 2018

Where Coogler’s movie runs hot, Caple’s runs warm; where Coogler dwells, steeping every scene in a sense of shared history and a love of…

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Review of The Ballad of Buster Scruggs (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 15 Nov 2018

In The Ballad of Buster Scruggs, the West isn’t a source of nostalgic pride or a place we ought to willingly, lovingly reinhabit, like some…

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Review of Outlaw King (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 09 Nov 2018

It’s funny to be watching a movie about nationalism—something of a hot topic right now—that gives off so little heat…

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Review of Bohemian Rhapsody (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 02 Nov 2018

Bohemian Rhapsody’s problems aren’t specific to this movie…

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Review of mid90s (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 18 Oct 2018

What works best about Mid90s is what’s casual about it—but what makes it verge on being genuinely original is all the weirdo stuff at the…

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Review of The Kindergarten Teacher (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 14 Oct 2018

You may want to watch it through your fingers at times-but that would require taking your eyes off of Gyllenhaal…

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Review of Private Life (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 04 Oct 2018

Jenkins can find the humor and bleached-out irony in something as sterile as a hospital’s oppressively white walls—it’s a true talent…

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Review of High Life (2019)

By K. Austin Collins (343) for Vanity Fair (761) on 14 Sep 2018

The movie seems to be a study of the artificial limits we put on our desires—and the ways those desires naturally betray us…

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Review of High Life (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 11 Sep 2018

The movie seems to be a study of the artificial limits we put on our desires—and the ways those desires naturally betray us…

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Review of Bisbee '17 (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 10 Sep 2018

It’s interested in the continuum between then and now—and in the ways our own knowledge of community, and of ourselves in the world, can…

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Review of If Beale Street Could Talk (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 10 Sep 2018

What Jenkins gets most right—what astonishes me the most about this film—is Baldwin’s vast affection for the broad varieties of black…

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Review of The Sisters Brothers (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 09 Sep 2018

The film is rich with male feelings and even manages to have a sense of humor about its own sadness…

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Review of Support the Girls (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 26 Aug 2018

Support the Girls is not a comedy merely because it’s funny (which it is), or because its tumultuous rhythm throws these women’s lives…

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Review of Minding the Gap (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 22 Aug 2018

In a world full of images—full of people recording themselves and their friends doing dumb shit, or documenting attractive versions of themselves—Bing’s…

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Review of The Miseducation of Cameron Post (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 02 Aug 2018

But the pervading problem of the movie is that it takes so much of this for granted-all the fraught, interpersonal weirdness between characters,…

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Review of The Spy Who Dumped Me (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 01 Aug 2018

McKinnon is all excess, all the time, and The Spy Who Dumped Me—a solid comedy, overall—gives us another chance to bask in that…

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Review of McQueen (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 19 Jul 2018

The film's methods are familiar, but accordingly satisfying…

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Review of Unfriended: Dark Web (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 18 Jul 2018

The pleasure and terror of Dark Web is, as it turns out, its unpredictability…

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Review of The Equalizer 2 (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 17 Jul 2018

Washington...absolutely has a keen sense of his character. It’s there in every skeptical cock of his head, every sly, knowing grimace…

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Review of Don't Worry, He Won't Get Far on Foot (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 11 Jul 2018

Though the director and his sterling cast seem to get all the biographical details right, the soul is somehow missing…

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