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Last updated: 08 Jul 2026 at 07:57 UTC

Movie Reviews by Jordan Mintzer - Page 3 of 11

41-60 of 201 Reviews

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Review of The New Mutants (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 26 Aug 2020

Generic and, at its best, straining to be heartfelt…

Review of Lost Bullet (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 25 Jun 2020

This isn’t Hiroshima Mon Amour…

Review of Marona's Fantastic Tale (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 11 Jun 2020

The film has its upbeat moments but can also be a tad gloomy — or maybe just classically Romanian, for anyone familiar with the recent cinematic…

Review of Becky (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 02 Jun 2020

Becky tends to work best when it revels in the blood-splattered set pieces of its script (written by Ruckus Skye, Lane Skye and Nick Morris),…

Review of Becky (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 02 Jun 2020

Becky tends to work best when it revels in the blood-splattered set pieces of its script (written by Ruckus Skye, Lane Skye and Nick Morris),…

Review of Sea Fever (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Apr 2020

As Jaws and all the best predecessors have shown (John Carpenter’s The Thing also seems like a major reference), you really need to care…

Review of System K (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Jan 2020

The result is a film that sometimes feels as frenzied as the world it’s depicting, but one that benefits from being such a full-blown nosedive…

Review of Away (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 02 Dec 2019

Somewhere between Hayao Miyazaki and Terrence Malick lies Away, a gorgeously made minimalist cartoon that’s long on beauty and breathtaking…

Review of I Lost My Body (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 27 Oct 2019

A highly original and rather touching account of loss, both physical and emotional…

Review of Lucky Day (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 02 Oct 2019

Generic and too self-indulgent, if energetic and occasionally funny, the film’s greatest attribute is by far co-star Crispin Glover, who…

Review of Abominable (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Sep 2019

It’s a little too treacly and childish in places, with a storyline that goes exactly where you expect…

Review of Bad Education (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Sep 2019

It’s perhaps less flamboyantly enjoyable than Finley’s first feature, but it also digs deeper into the souls of its characters, asking…

Review of A Rainy Day in New York (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 30 Aug 2019

Merely a watchable rehashing of his preferential themes and plot points, set in a present-day Manhattan so nostalgic and unreal it might as…

Review of Playmobil: The Movie (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 07 Aug 2019

To the director’s credit, the animated sequences are richly rendered, making the most of the rather stiff and plain-looking originals (though,…

Review of Cold Blood (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 08 Jul 2019

Well-shot (by Luc Besson regular Thierry Arbogast) but otherwise entirely forgettable…

Review of Holy Lands (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 20 Jun 2019

This treacly and overwrought piece of mishegoss from French novelist turned director Amanda Sthers is pretty much a chore from start to finish…

Review of Funan (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 01 May 2019

Despite some narrative cliches, the painstaking way that the movie documents a very dark period in Cambodian history is a noteworthy achievement…

Review of For Sama (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 16 Mar 2019

Revisiting some of the events that marked Aleppo’s final year under siege, as well as those that led up to them, the film offers up a rare…

Review of Paris Is Us (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 26 Feb 2019

Vogler creates an intoxicating mood at times, especially through slick visuals and a trippy score by French electro maven Laurent Garnier,…

Review of Synonyms (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 15 Feb 2019

Lapid continues to exhibit a singular blend of intensity and absurdity, as well as a distinct attention to cinematic craft…

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