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Last updated: 06 Oct 2026 at 12:02 UTC

Movie Reviews by Jordan Mintzer - Page 2 of 11

21-40 of 201 Reviews

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Review of Robe of Gems (2023)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 16 Feb 2022

[López Gallardo] tends to eschew straightforward storytelling for something so elusive that her film nearly escapes us for its first half,…

Review of Dark Glasses (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 15 Feb 2022

Dark Glasses is never all that scary, and some of it is just plain silly, but if you take it at face value it can be enjoyable enough to sit…

Review of Incredible But True (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 14 Feb 2022

What makes it quite fun, and definitely funny in spots, is how realistically Dupieux depicts events, turning the outlandish into something…

Review of Bigbug (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 12 Feb 2022

Imagine the rise of the machines prophesy made popular by the Terminator franchise, but done as a freaky sitcom that’s part Pee-Wee’s Playhouse,…

Review of Utama (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 29 Jan 2022

Utama is very much a pessimistic film, never shying away from the realities faced by those who still inhabit the highlands of Bolivia…

Review of Watcher (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 26 Jan 2022

In a genre movie climate marked by cheap thrills and easy scares — whatever gets us not to click on something else — it’s nice to see…

Review of Luzzu (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 14 Oct 2021

Naturalistic and a bit on-the-nose in spots, the film is also a moving tale of real-world strife — a sort of low-key, contemporary take on…

Review of Earwig (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 18 Sep 2021

Viewers looking for explanations should probably stay away, but those willing to be carried by the film’s casual pace and haunting aesthetic…

Review of Deception (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 31 Aug 2021

Like a beltway surrounding its hero’s bloviating ego trips and massive libido, the film keeps turning in circles around a subject that’s…

Review of Hit the Road (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 31 Aug 2021

You can feel Panahi drifting away from his director forefathers, including his own father, testing out new ideas and methods to see if they…

Review of Deception (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 31 Aug 2021

Like a beltway surrounding its hero’s bloviating ego trips and massive libido, the film keeps turning in circles around a subject that’s…

Review of Benedetta (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Jul 2021

We may never know if Benedetta was sincere about her visions in the end, just as it’s impossible to judge how sincere Verhoeven is when he’s…

Review of Spring Blossom (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 19 May 2021

The fact that Lindon doesn’t judge the situation as much as she simply shows it is a sign of her intelligence as a promising young filmmaker…

Review of Pelé (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 18 Feb 2021

As much as Pelé inspired love and awe among his fans, this polished and well-intentioned biography doesn’t quite do the same…

Review of Mayor (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 01 Dec 2020

Mayor is a study in politics both micro and macro, showing what happens when the two come fatefully crashing together…

Review of Greenland (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 15 Oct 2020

And yet, what makes Greenland stand out is how, at certain times, what we’re watching doesn’t seem so spectacular, but very much like the…

Review of Nocturne (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 13 Oct 2020

It’s not quite enough to prevent this B-grade rendition from feeling rather familiar and unsuspenseful, even if stars Sydney Sweeney (Euphoria)…

Review of Nocturne (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 13 Oct 2020

It’s not quite enough to prevent this B-grade rendition from feeling rather familiar and unsuspenseful, even if stars Sydney Sweeney (Euphoria)…

Review of Nocturne (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 13 Oct 2020

It’s not quite enough to prevent this B-grade rendition from feeling rather familiar and unsuspenseful, even if stars Sydney Sweeney (Euphoria)…

Review of City Hall (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 19 Sep 2020

At a time when America looks like it's tearing apart at the seams, there’s something altogether reassuring — even downright inspiring —…

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