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Last updated: 11 Jul 2026 at 08:29 UTC

Movie Reviews by Jeannette Catsoulis - Page 4 of 77

61-80 of 1,537 Reviews

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Review of Resurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

Review of Résurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

Review of Resurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

Review of A Love Song (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

Slow, sweet and subdued, A Love Song, Max Walker-Silverman’s lovely first feature, is about late-life longing and needs that never completely…

Review of Resurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

Review of Resurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

Review of She Will (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 14 Jul 2022

Blending sensuous imagery with jabs of feminist wit — at one point, a vibrator is weaponized against a male intruder — Colbert sends her…

Review of Cop Secret (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 07 Jul 2022

Familiarity might be the point, but a screenplay this coarse leaves the actors little wiggle room, reducing them to mouthpieces for recycled jokes…

Review of Rubikon (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 30 Jun 2022

However thoughtful and well-intentioned, this debut feature is too airless and long-winded to excite…

Review of Doula (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jun 2022

The running time is too long, and the finale’s screaming too prolonged; but, unlike childbirth, this good-natured movie delivers a dry, funny…

Review of The Black Phone (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 23 Jun 2022

In place of gouting gore and surging fright, this enjoyable adaptation of Joe Hill’s 2005 short story has an almost contemplative tone, one…

Review of Mad God (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 16 Jun 2022

Strange and squelchy and all kinds of sick, Mad God comes at you with nauseating energy, its flood of dystopian images both playful and repulsive…

Review of Cordelia! (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 19 May 2022

Enigmatic and imperfect, but nonetheless absorbing and consistently unsettling, Cordelia offers a haunting visualization of a breaking-apart psyche…

Review of Cordelia (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 19 May 2022

Enigmatic and imperfect, but nonetheless absorbing and consistently unsettling, Cordelia offers a haunting visualization of a breaking-apart psyche…

Review of Shepherd (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 05 May 2022

With Shepherd, the Welsh writer and director Russell Owen shows us how to accrue a great deal of atmosphere with very little fuss…

Review of Black Site (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 03 May 2022

Perhaps the most depressing thing about Sophia Banks’s Black Site — a dreary, underwritten thriller — is an ending that suggests a sequel…

Review of Fortress: Sniper's Eye (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Apr 2022

A sequel so dumb that no effort by Willis could reasonably be expected to save it…

Review of Hatching (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Apr 2022

A sometimes uneasy merger of monster movie and psychological horror — with a dollop of social-media satire — this inventive first feature…

Review of Return to Space (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 07 Apr 2022

Glowing with grandiose pronouncements and uplifting sentiment, Return to Space, a draggy documentary about America’s first manned spaceflight…

Review of You Won't Be Alone (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 31 Mar 2022

You Won’t Be Alone, the ravishing, wildly original first feature from Goran Stolevski, moves so hypnotically between dream and nightmare,…

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