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Last updated: 11 Jul 2026 at 08:29 UTC

Movie Reviews by Jeannette Catsoulis - Page 3 of 77

41-60 of 1,537 Reviews

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Review of The Visitor (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 07 Oct 2022

Filmed in and around New Orleans, “The Visitor” isn’t a terrible movie, just a tired one…

Review of Hellraiser (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 06 Oct 2022

As an ambitious allegory for the chaos and torment of addiction, Hellraiser works mainly because of A’zion, who gives her scattered character…

Review of Smile (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Sep 2022

A relentlessly somber, precision-tooled picture whose frights only reinforce the wit of its premise, Smile turns our most recognizable sign…

Review of Smile (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Sep 2022

A relentlessly somber, precision-tooled picture whose frights only reinforce the wit of its premise, Smile turns our most recognizable sign…

Review of Smile (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Sep 2022

A relentlessly somber, precision-tooled picture whose frights only reinforce the wit of its premise, Smile turns our most recognizable sign…

Review of Smile (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Sep 2022

A relentlessly somber, precision-tooled picture whose frights only reinforce the wit of its premise, Smile turns our most recognizable sign…

Review of SMILE (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Sep 2022

A relentlessly somber, precision-tooled picture whose frights only reinforce the wit of its premise, Smile turns our most recognizable sign…

Review of Smile (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Sep 2022

A relentlessly somber, precision-tooled picture whose frights only reinforce the wit of its premise, Smile turns our most recognizable sign…

Review of Smile (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Sep 2022

A relentlessly somber, precision-tooled picture whose frights only reinforce the wit of its premise, Smile turns our most recognizable sign…

Review of Sidney (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 22 Sep 2022

The inescapable impression is of a picture buckling beneath the weight of its subject’s achievements…

Review of Goodnight Mommy (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 15 Sep 2022

Kyle Warren’s screenplay is potent enough to generate several moments of suspense, and Watts, an exceptional actor sidelined too often by…

Review of Medieval (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 08 Sep 2022

On land and underwater, the verisimilitude of the violence is numbing…

Review of Speak No Evil (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 08 Sep 2022

Gliding inexorably from squirmy to sinister to full-on shocking, this icy satire of middle-class mores, confidently directed by Christian Tafdrup,…

Review of Out of the Blue (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 25 Aug 2022

Like most of LaBute’s work, Out of the Blue is talky, sparsely staged and presented with his signature detachment. The two leads are fine…

Review of Out of the Blue (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 25 Aug 2022

Like most of LaBute’s work, Out of the Blue is talky, sparsely staged and presented with his signature detachment. The two leads are fine…

Review of Out of the Blue (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 25 Aug 2022

Like most of LaBute’s work, Out of the Blue is talky, sparsely staged and presented with his signature detachment. The two leads are fine…

Review of Out of the Blue (2024)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 25 Aug 2022

Like most of LaBute’s work, Out of the Blue is talky, sparsely staged and presented with his signature detachment. The two leads are fine…

Review of Day Shift (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 11 Aug 2022

Jamie Foxx might have top billing, but right there beside him are the professional contortionists whose eye-popping moves are more commonly…

Review of Prey (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 04 Aug 2022

Despite a female-empowerment theme and an adversary fairly bristling with fancy weaponry, Prey never builds a head of steam…

Review of Prey (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 04 Aug 2022

Despite a female-empowerment theme and an adversary fairly bristling with fancy weaponry, Prey never builds a head of steam…

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