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Last updated: 11 Jul 2026 at 18:23 UTC

Movie Reviews by Jeannette Catsoulis - Page 13 of 77

241-260 of 1,537 Reviews

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Review of A Million Little Pieces (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 05 Dec 2019

Another ruin-and-rehab tale, one that initially tantalizes then flatly disappoints…

Review of The Wolf Hour (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 05 Dec 2019

The result is a sometimes punishingly theatrical experiment that teeters on the verge of surreality, transfixing us with the promise of something…

Review of The Aeronauts (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 05 Dec 2019

Gorgeous and goofy, fanciful and unrepentantly old-fashioned, this Victorian adventure (it’s set in 1862) delights much more when its head…

Review of My Friend the Polish Girl (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 05 Dec 2019

Shot mostly in black and white and with an improvisational feel, My Friend the Polish Girl is cool and clever, feigning social realism with…

Review of The Body Remembers When the World Broke Open (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 05 Dec 2019

Filmed almost entirely in real time, and using a series of long, intimate takes, “The Body Remembers” is about privilege and its lack,…

Review of Hala (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 21 Nov 2019

If Baig’s writing is at times thin and excessively pointed — like a classroom discussion about what it means to live an authentic life…

Review of 21 Bridges (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 21 Nov 2019

Spraying what seems like several thousand rounds of ammunition, this sturdy thriller (the big-screen feature debut of the director Brian Kirk)…

Review of Radioflash (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 14 Nov 2019

At fault is a threadbare, irritatingly vague script (by the director and artist Ben McPherson) that simply strings together a series of generic…

Review of The Warrior Queen of Jhansi (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 14 Nov 2019

An unfortunately clunky, relentlessly corny salute to Rani Laxmibai…

Review of The Report (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 14 Nov 2019

However crucial and opportune in its truth-seeking and depictions of political trickery (Burns could hardly have known his film would plop…

Review of Greener Grass (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 17 Oct 2019

A deadpan take on suburban hell — I hesitate to call it a comedy, black or otherwise — the movie takes competitiveness to such excruciatingly…

Review of Cyrano, My Love (2018)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 17 Oct 2019

As the camera circles swirling skirts and sweeps through elegant cafes, the director, Alexis Michalik, whisks up a whirlwind of soapy declarations…

Review of Fantastic Fungi (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Oct 2019

A charming blend of science and conjecture, Fantastic Fungi wants to free your mind…

Review of The Day Shall Come (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 26 Sep 2019

A circular firing-squad of full-on crazy, Chris Morris’s The Day Shall Come barges into American counterterrorism tactics with sledgehammer…

Review of Sister Aimee (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 26 Sep 2019

A weird, erratic and occasionally insightful experiment that, unlike its indefatigable star, never quite finds its zing…

Review of Zeroville (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 19 Sep 2019

A raft of marquee names — including Seth Rogen, James Franco and Will Ferrell — can’t save Zeroville, a maddeningly surreal head trip…

Review of Downton Abbey (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 19 Sep 2019

From its spectacularly detailed aesthetic to the characters’ march down well-worn personality paths, Downton Abbey argues insistently for…

Review of Freaks (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 12 Sep 2019

Appealing, partly because it’s so unembarrassed by its genre's done-to-death social-injustice themes, this undercooked blend of science fiction…

Review of Depraved (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 12 Sep 2019

Making the most of his limited budget, not unusual for the prolific Fessenden, he has produced possibly his most coherent and visually polished…

Review of Depraved (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 12 Sep 2019

Making the most of his limited budget, not unusual for the prolific Fessenden, he has produced possibly his most coherent and visually polished…

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