Review of Depraved (2019) by Jeannette Catsoulis for The New York Times — 12 Sep 2019
Making the most of his limited budget, not unusual for the prolific Fessenden, he has produced possibly his most coherent and visually polished work to date. The makeup effects and lead performances are excellent, and Fessenden’s signature cheek (two strip-club employees are called Stormy and Melania) never tips into silliness.
You can read the full review where it was originally posted online.
This review of Depraved (2019) was written by Jeannette Catsoulis and published by The New York Times on 12 Sep 2019.
Depraved has generally received positive reviews.
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