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Last updated: 26 Jul 2026 at 23:57 UTC

Movie Reviews by Jason Bailey - Page 9 of 42

161-180 of 832 Reviews

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Review of We the Animals (2018)

By Jason Bailey (832) for Village Voice (8,525) on 18 Apr 2018

Zagar has a gift for capturing a character's essence in an image or two, via simple compositions occasionally augmented by spellbinding snatches…

Review of Upgrade (2018)

By Jason Bailey (832) for IndieWire (3,631) on 03 Apr 2018

At the end of the day, it’s the action equivalent of a secondhand musical – you’ll most likely come for the dance scenes, and they’re…

Review of Fifty Shades Freed (2018)

By Jason Bailey (832) for Vice (43) on 29 Mar 2018

Its makers have somehow convinced themselves that there's not only a story we care about, but an arc to be followed…

Review of 6 Balloons (2018)

By Jason Bailey (832) for Flavorwire (598) on 27 Mar 2018

There is a sense that the picture ends just as it gets going…

Review of American Animals (2018)

By Jason Bailey (832) for Flavorwire (598) on 27 Mar 2018

It becomes, surprisingly enough, a stealth act of media critique…

Review of Fast Color (2019)

By Jason Bailey (832) for Crooked Marquee (120) on 16 Mar 2018

It's a thrill to see[Gugu] Mbatha-Raw finally bite into a role worthy of her talents, and Ms…

Review of Hearts Beat Loud (2018)

By Jason Bailey (832) for Crooked Marquee (120) on 16 Mar 2018

Both actors are capable of projecting nuclear levels of charisma, so it's fun just to watch them share the screen…

Review of The Legacy of a Whitetail Deer Hunter (2018)

By Jason Bailey (832) for IndieWire (3,631) on 16 Mar 2018

There are some real missed opportunities here…

Review of Eighth Grade (2018)

By Jason Bailey (832) for Crooked Marquee (120) on 16 Mar 2018

[Elsie] Fisher is a real find, wielding the character's roller-coaster mood swings and open-wound insecurities with bravery and wit, and the…

Review of Annihilation (2018)

By Jason Bailey (832) for Flavorwire (598) on 09 Mar 2018

This sci-fi/horror hybrid is brainy, challenging, and experimental. Those shouldn't be dirty words…

Review of Wag the Dog (1997)

By Jason Bailey (832) for Vice (43) on 01 Jan 2018

If anything, in the years since its release, the worlds of politics, entertainment, and news media have grown even more intertwined in which…

Review of Phantom Thread (2017)

By Jason Bailey (832) for Vice (43) on 01 Jan 2018

It's a film so gleefully peculiar, so brazen in its disinterest in convention or meeting audience satisfaction, that it sort of takes up residence…

Review of As Good as It Gets (1997)

By Jason Bailey (832) for Vice (43) on 01 Jan 2018

On one hand, it's Brooks's film that most betrays his TV sitcom roots; it's also one of his more ambitious works, packing in subplots and subjects…

Review of Jackie Brown (1997)

By Jason Bailey (832) for Vice (43) on 01 Jan 2018

Jackie Brown' may be the only Quentin Tarantino movie that gets noticeably better with each viewing…

Review of Good Will Hunting (1997)

By Jason Bailey (832) for Vice (43) on 14 Dec 2017

It's a movie that captures (in a way that perhaps an older screenwriter could not convey) the limitless possibilities of youth, a movie in…

Review of Amistad (1997)

By Jason Bailey (832) for Vice (43) on 14 Dec 2017

Amistad' may not be the first, or fifth, or tenth film people talk about when Spielberg's name comes up…

Review of Titanic (1997)

By Jason Bailey (832) for Vice (43) on 14 Dec 2017

Sure, 'Titanic' may be corny, clumsy, and obvious-but the sincerity of its emotions and the power of its spectacle endure…

Review of The Sweet Hereafter (1997)

By Jason Bailey (832) for Flavorwire (598) on 14 Dec 2017

That's the true power of Egoyan's film - how in shuffling the chronological deck, we see what once was in this town, both in its light and…

Review of Kundun (1997)

By Jason Bailey (832) for Vice (43) on 14 Dec 2017

It's not exactly 'Goodfellas.' But it's not every filmmaker who can create works as divergent as 'Goodfellas' and 'Kundun,' either…

Review of Darkest Hour (2017)

By Jason Bailey (832) for Flavorwire (598) on 26 Nov 2017

It is not a bad movie, or even a mediocre one…

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