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Last updated: 27 Jul 2026 at 02:10 UTC

Movie Reviews by Jason Bailey - Page 10 of 42

181-200 of 832 Reviews

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Review of Gattaca (1997)

By Jason Bailey (832) for Vice (43) on 13 Nov 2017

A thoughtful hybrid of sci-fi, thriller, and character drama; to give you some idea of its high-mindedness, it not only opens with a relevant…

Review of Murder on the Orient Express (2017)

By Jason Bailey (832) for Flavorwire (598) on 13 Nov 2017

There's so much to like about the picture in theory: a sophisticated literary adaptation with a distinguished cast, geared toward grown-ups,…

Review of Seven Psychopaths (2012)

By Jason Bailey (832) for Vice (43) on 13 Nov 2017

A less successful picture, mostly because it's more concerned with its winking meta-textual framework than the larger humanistic concerns of…

Review of Starship Troopers (1997)

By Jason Bailey (832) for Vice (43) on 13 Nov 2017

In its early scenes, 'Troopers 'is basically a goofy high school movie, complete with love triangles, a big game, and a school dance (and sex)…

Review of In Bruges (2008)

By Jason Bailey (832) for Vice (43) on 13 Nov 2017

Its European setting places additional gravity on McDonagh's Irish-Catholic notions of reckoning-the knowledge that we have to pay for our…

Review of Most Beautiful Island (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

It's a tense movie, made both more personal and more unnerving by Asensio's insistence on staying with her protagonist, as the tension of her…

Review of Lady Bird (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

Witty and wise, hopeful and heartbreaking…

Review of Bitch (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

[Marianna Palka's] terrific - the intensity of what she's doing, without saying a word, is overwhelming…

Review of Call Me by Your Name (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

It's a rare remembrance of love that knows the heartbreak after is just as tied up in the experience as the joy during. More, perhaps…

Review of No Stone Unturned (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

It's a gripping story well-told, thanks to the tense, frightening score, the sparse but effective reenactments of the event, and Gibney's intimate…

Review of Bitch (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

[Marianna Palka's] terrific - the intensity of what she's doing, without saying a word, is overwhelming…

Review of Suburbicon (2017)

By Jason Bailey (832) for Vice (43) on 28 Oct 2017

It's worth asking what kind of movie Clooney wanted to make-and what, exactly, he ended up with. A dark comedy? A tragedy? A thriller…

Review of Boogie Nights (1997)

By Jason Bailey (832) for Vice (43) on 28 Oct 2017

The Tarantino comparison is ultimately less about technique than a shared joyful electricity of the filmmaking, the sense of an artist clearly…

Review of The Square (2017)

By Jason Bailey (832) for Flavorwire (598) on 28 Oct 2017

Östlund gets at the what makes a movie like 'The Square' seem even more provocative than it is: We love the idea that art should be confrontational…

Review of Wonderstruck (2017)

By Jason Bailey (832) for Flavorwire (598) on 18 Oct 2017

Like Hugo, it's a children's book for grown-up movie lovers…

Review of The Meyerowitz Stories (New and Selected) (2017)

By Jason Bailey (832) for Flavorwire (598) on 14 Oct 2017

It's a balancing act so delicate, you all but hold your breath…

Review of Wonder Wheel (2017)

By Jason Bailey (832) for Flavorwire (598) on 14 Oct 2017

Allen is, by all appearances, still filming first drafts, full of placeholder scenes and dialogue in sore need of polish, and releasing first…

Review of The Edge (1997)

By Jason Bailey (832) for Vice (43) on 05 Oct 2017

It's not hard to read Charles' journey in 'The Edge' as analogous to its author's: the library-dwelling intellectual using his wits to brave…

Review of Blade Runner 2049 (2017)

By Jason Bailey (832) for Flavorwire (598) on 05 Oct 2017

It does something sci-fi movies rarely do anymore, and sequels do even less: it shows us things we've never seen…

Review of The Florida Project (2017)

By Jason Bailey (832) for Flavorwire (598) on 05 Oct 2017

This is a deeply humanist filmmaker, and he's sympathetic to these characters, flaws and all…

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