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Glenn Kenny

Last updated: 26 Jul 2026 at 11:53 UTC

Movie Reviews by Glenn Kenny - Page 6 of 87

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Review of Hustle (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 07 Jun 2022

If Hustle passes around a lot of sports movie cliches, it does so with a light touch…

Review of We Feed People (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 27 May 2022

It’s refreshing to see an account of a famous food guy who doesn’t wallow in his own character defects…

Review of The Bob's Burgers Movie (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 26 May 2022

The Bob’s Burgers Movie, directed by Bouchard and Bernard Derriman, is such a breezy, engaging picture that it qualifies as a summer refreshment…

Review of A Perfect Pairing (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 21 May 2022

It’s all so anodyne that the also-obligatory girl-gets-mad-at-hunk plot turn before the love-conquers-all finale feels like being shaken…

Review of Cordelia! (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 20 May 2022

Sometimes the walls don’t have to be closing in to create an oppressive atmosphere. Sometimes it’s just enough to have the wallpaper closing in…

Review of Cordelia (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 20 May 2022

Sometimes the walls don’t have to be closing in to create an oppressive atmosphere. Sometimes it’s just enough to have the wallpaper closing in…

Review of Downton Abbey: A New Era (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 20 May 2022

Director Simon Curtis and editor Adam Recht deserve a lot of credit for packing a helluva lot of story into a picture that’s only a hair…

Review of Firestarter (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 13 May 2022

This movie brushes aside a lot of things — the most shocking thing about it is how soggily noncommittal it is…

Review of Jazz Fest: A New Orleans Story (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 12 May 2022

The ebullient history — which also cites on-site food tents as a mind-blowing component of the fest’s appeal — becomes tearful when Hurricane…

Review of Sheryl (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 05 May 2022

Crow herself is a more than interesting subject…

Review of Randy Rhoads: Reflections of a Guitar Icon (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 05 May 2022

Rhoads comes off as a pleasant guy (never a big partyer; he tried to counsel Osbourne on his excessive drinking) and a genuine ax savant who…

Review of Vortex (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 29 Apr 2022

One leaves Vortex feeling cleansed by fire…

Review of Vortex (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 29 Apr 2022

One leaves Vortex feeling cleansed by fire…

Review of The Duke (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 22 Apr 2022

The Duke is not his all-time-best picture, but it’s a very strong one, and it showcases his varied strengths as a filmmaker rather nicely…

Review of Cypress Hill: Insane in the Brain (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 20 Apr 2022

Cypress Hill: Insane in the Brain, named for one of its signature songs, is an often engaging chronicle of the group (which has sold more than…

Review of Agent Game (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 08 Apr 2022

Looking as if it was often shot in complete darkness or something like it, Agent Game is murky nonsense that aspires to get by on what it considers…

Review of Royalty Free: The Music of Kevin MacLeod (2020)

By Glenn Kenny (1,728) for The New York Times (9,847) on 31 Mar 2022

The documentary is shot and edited like an infomercial, although it wanders from issue to issue to the extent that a viewer can’t be sure…

Review of Bisping (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 22 Mar 2022

This is all pretty conventional. But then the fighter’s story takes a twist…

Review of Black Crab (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 18 Mar 2022

The gloom is practically enveloping. But, in the end, is it really all about hope…

Review of Big Gold Brick (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Feb 2022

Feature-length failures as abject as this one are almost frightening, in part because one worries about what kind of a snit the director will…

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