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Last updated: 05 Jun 2026 at 09:42 UTC

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Review of by Glenn Kenny for The New York Times — 05 May 2022

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Crow herself is a more than interesting subject. She’s a musician whose Rock-with-a-capital-R cred — her guitar playing is ace, her voice is soulful and her ear for a hook is unimpeachable — is sometimes overlooked in favor of her pop appeal.

And her story has a lot of twists.

You can read the full review where it was originally posted online.

This review of Sheryl (2022) was written by and published by The New York Times on 05 May 2022.

Sheryl has generally received mixed reviews.

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