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Last updated: 18 Jul 2026 at 11:10 UTC

Movie Reviews by Daniel Barnes - Page 6 of 17

101-120 of 335 Reviews

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Review of Film Stars Don't Die in Liverpool (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 15 Feb 2018

Bening is good as Grahame, but it has practically become an annual ritual for her to excel in something forgettable…

Review of Phantom Thread (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 25 Jan 2018

As the demanding 1950s fashion designer Reynolds Woodcock, the excellent Daniel Day-Lewis may get top billing, but the film belongs to Vicky…

Review of Hostiles (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 18 Jan 2018

Bale plays hard-bitten terseness in the hammiest manner possible, but as a deranged survivor who joins the caravan, Rosamund Pike delivers…

Review of Call Me by Your Name (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 18 Jan 2018

Michael Stuhlbarg gives a strong supporting performance as Elio's compassionate father and Hammer is very well-cast, but Chalamet owns the…

Review of The Post (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 17 Jan 2018

It's as if Spielberg watched Spotlight and thought it might make a good movie someday…

Review of All the Money in the World (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 03 Jan 2018

Ridley Scott directs this entertaining but uneven true-life drama…

Review of Molly's Game (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 03 Jan 2018

The film grows increasingly turgid and tiresome in the second half…

Review of The Shape of Water (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 21 Dec 2017

Guillermo del Toro directs this beautifully designed but clumsily arranged sci-fi love story about a mute janitor who falls for a magical creature…

Review of The Disaster Artist (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 14 Dec 2017

Stacking the cast with a This is the End-style comedy ensemble, only to have them sit around commenting on Wisseau's follies like they were…

Review of Darkest Hour (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 14 Dec 2017

Gary Oldman blubbers and bellows from under wads of makeup as Winston Churchill in this lifeless biopic…

Review of Wonderstruck (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 17 Nov 2017

The structure is so ill-conceived that most of the final half-hour gets devoted to the characters reading handwritten notes that fill in all…

Review of Mark Felt: The Man Who Brought Down the White House (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 17 Nov 2017

Mark Felt: The Man Who Brought Down the White House has nothing to offer…

Review of The Killing of a Sacred Deer (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 02 Nov 2017

In adapting his singularly airless style to slightly more conventional material, Lanthimos only exposes his own limitations…

Review of Thank You for Your Service (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 02 Nov 2017

Hall certainly seems to grasp the mindset of the modern warrior, sensitively showing the way that steely exteriors can conceal deep rivers…

Review of Breathe (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 01 Nov 2017

Devoid of fully realized characters, Breathe feels like an awards campaign in search of a film…

Review of Breathe (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 01 Nov 2017

Devoid of fully realized characters, Breathe feels like an awards campaign in search of a film…

Review of The Meyerowitz Stories (New and Selected) (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 18 Oct 2017

It's not as cohesive (or corrosive) as Baumbach's best work, but even in second gear no one depicts the tender malice of family better, and…

Review of Marshall (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 18 Oct 2017

The courtroom aspect feels conventional and the film lacks real insight, but it's professionally handled and Boseman does solid work…

Review of Blade Runner 2049 (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 18 Oct 2017

Director Denis Villeneuve is the modern master of empty, thundering portent, and the dystopic future cinematic universe of Blade Runner gives…

Review of The Florida Project (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 18 Oct 2017

The world of The Florida Project feels tangible, lyrical, forbidding and magical all at once, a boundaryless playground for kids and a quicksand…

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Daniel Barnes has written reviews for:

Sacramento News & Review (1,702)
Dare Daniel (41)

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