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Last updated: 18 Jul 2026 at 10:09 UTC

Movie Reviews by Daniel Barnes - Page 5 of 17

81-100 of 335 Reviews

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Review of The Seagull (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 27 Jun 2018

If you're looking for a tragic romance tinged with class-war considerations, there are many better films to watch; if you're looking for a…

Review of The Seagull (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 27 Jun 2018

If you're looking for a tragic romance tinged with class-war considerations, there are many better films to watch; if you're looking for a…

Review of American Animals (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 21 Jun 2018

This sort of self-awareness usually works on me like catnip, but Layton's concept of meta-cinema feels extremely basic…

Review of Solo: A Star Wars Story (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 13 Jun 2018

Solo is essentially a 135-minute version of the River Phoenix sequence from Indiana Jones and the Last Crusade - only it looks like complete…

Review of First Reformed (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 13 Jun 2018

A film that glides on a knife's edge of seemingly unresolvable contradictions…

Review of The Rider (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 30 May 2018

The slightest twinge of emotional conflict sends the lead character outside to stare blankly into the sunlight…

Review of RBG (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 16 May 2018

The film obligingly touches on but never examines the Wikipedia page bullet points of RBG's life and work…

Review of Deadpool 2 (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 16 May 2018

True to form, the film calls out its own lazy writing, which is probably the laziest writing of all…

Review of Lean on Pete (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 08 May 2018

After the long, slow burn of the first half, Lean on Pete takes a Walkabout-like veer into the desert void, and like an old horse getting a…

Review of Kings (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 08 May 2018

What once felt fresh and honest now comes across as completely phony…

Review of Avengers: Infinity War (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 08 May 2018

As a longtime detester of the MCU machine, I must admit that it brought me some joy…

Review of Beirut (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 18 Apr 2018

Unlike last month's fact-based 7 Days in Entebbe, Brad Anderson's Beirut offers a more Bourne-esque take on Bourne-esque themes from a script…

Review of Foxtrot (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 12 Apr 2018

[The] powerful portrait of grief gives way to an ecstatic and absurdist midsection that follows Jonathan during his military service at a lonely…

Review of Sgt. Stubby: An American Hero (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 12 Apr 2018

There are strong individual scenes, but the story structure is shoddy…

Review of The Leisure Seeker (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 04 Apr 2018

There are a handful of nice, intimate moments between Mirren and Sutherland, but this is largely an exercise in rancid quirk…

Review of Isle of Dogs (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 04 Apr 2018

If Anderson's blend of clinical skill and warming sadness has always hit your cinematic sweet spot, then the stop-motion animated for you to treasure…

Review of Red Sparrow (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 13 Mar 2018

The contemporary setting of Red Sparrow at least allows a respite from the tacky CGI that usually overwhelms Francis Lawrence's films, but…

Review of A Fantastic Woman (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 13 Mar 2018

Leilo's film is warm and contemplative rather than cold and clinical, with light doses of magical realism and a marvelous lead performance from Vega…

Review of Annihilation (2018)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 13 Mar 2018

Once again, Garland offers a provocative and reflective take on the apocalypse, with better-than-blockbuster special effects realized on a…

Review of The Party (2017)

By Daniel Barnes (335) for Sacramento News & Review (1,702) on 07 Mar 2018

Cramped and predictable and far less clever than it thinks, The Party feels like it was based on a play that I would also dislike, rather than…

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Daniel Barnes has written reviews for:

Sacramento News & Review (1,702)
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