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Last updated: 04 Jun 2026 at 11:44 UTC

Movie Reviews by Christopher Llewellyn Reed - Page 9 of 15

161-180 of 298 Reviews

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Review of Sully (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 06 Feb 2018

Captain Sullenberger may not have sought the limelight, but he more than deserved it, and Sully is a fitting testament to his humble courage…

Review of Morgan (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 06 Feb 2018

The film is not without its strengths in this early part ... but before long…

Review of The Last Laugh (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 03 Feb 2018

Pearlstein asks the big questions, and sometimes the answer is a tear, sometimes a laugh, and always profound…

Review of The Last Laugh (2016)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 03 Feb 2018

Pearlstein asks the big questions, and sometimes the answer is a tear, sometimes a laugh, and always profound…

Review of Burlesque: Heart of the Glitter Tribe (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 03 Feb 2018

As a declarative statement of the power of self-expression, Burlesque: Heart of the Glitter Tribe is a resounding success…

Review of I Am Another You (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 03 Feb 2018

Divided into three chapters ... the movie is a compelling hybrid of personal reflection and observational filmmaking…

Review of The Accountant (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 03 Feb 2018

It has its pleasures, but they are guilty, indeed…

Review of Jack Reacher: Never Go Back (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 03 Feb 2018

If you can forget the story, and focus on the action and the leads, however, you may still have a good time. Good luck…

Review of AWOL (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 03 Feb 2018

Every scene is both light on its feet and weighted with potential import; we never know what is leading where until we're at our destination…

Review of Billy Lynn's Long Halftime Walk (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 03 Feb 2018

Leaving the actors aside, however, the real problem with the film is the way it is shot…

Review of AWOL (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 03 Feb 2018

Every scene is both light on its feet and weighted with potential import; we never know what is leading where until we're at our destination…

Review of The Edge of Seventeen (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 03 Feb 2018

The joy of this movie is how Craig breathes new life into a cinematically commonplace narrative…

Review of Trolls (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 03 Feb 2018

The story is a typical quest journey ... Along the way, our heroes learn moral lessons while cracking jokes and singing songs…

Review of A River Below (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 03 Feb 2018

Bearing witness to the torture and/or killing of ... animals is a particularly oppressive task, yet must be done…

Review of The Last Animals (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 31 Jan 2018

What makes The Last Animals especially powerful is the manner in which Brooks examines the human cost of the killings…

Review of Office Christmas Party (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 31 Jan 2018

Everyone here is capable of more than this (maybe not the directors, however), though I can't imagine it hurts a lot to earn a paycheck this…

Review of Moana (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 31 Jan 2018

Disney has given us a wonderful Thanksgiving present, to be savored by all. I'll take seconds (and maybe thirds), please…

Review of Jackie (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 30 Jan 2018

Not without aesthetic interest, the movie is still a complete mess, weighed down by an expositional script and extremely mannered performances…

Review of Lion (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 30 Jan 2018

Whatever issues I may have with the mise-en-scène, I was still deeply affected by the drama, and I expect others to be, as well…

Review of Hidden Figures (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 30 Jan 2018

Here, we right an historical wrong, looking back at the important…

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Christopher Llewellyn Reed has written reviews for:

Hammer to Nail (208)
Film Festival Today (161)

Christopher Llewellyn Reed is connected to:

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