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Last updated: 04 Jun 2026 at 15:44 UTC

Movie Reviews by Christopher Llewellyn Reed - Page 10 of 15

181-200 of 298 Reviews

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Review of Lion (2015)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 30 Jan 2018

Whatever issues I may have with the mise-en-scène, I was still deeply affected by the drama, and I expect others to be, as well…

Review of La La Land (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 30 Jan 2018

From its exuberant opening musical number, set atop a traffic-jammed Los Angeles freeway overpass, La La Land announces its intention to win…

Review of Paterson (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 30 Jan 2018

Both Driver and Farahani draw us into this world of small stakes writ large, theirs a moving portrait of a living marriage, quirks and all…

Review of Person to Person (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 30 Jan 2018

Though at first the emotional stakes may seem low, the more one thinks about the movie the more its profound truths resonate beyond its narrative…

Review of Golden Exits (2018)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 30 Jan 2018

Despite the surface inaction ... there are currents of deep emotional distress that roil just below, like a deadly iceberg about to strike…

Review of Mommy Dead and Dearest (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 30 Jan 2018

Dismaying, disquieting, distressing, Mommy Dead and Dearest is above all profoundly cinematic…

Review of Rogue One: A Star Wars Story (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 30 Jan 2018

When the film slows down enough for the dialogue to sink in, we realize that the story, such as it is, has been cobbled together from all previousStar…

Review of The Endless (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 30 Jan 2018

Although parts of the film seem almost too clever by half, Moorehead and Benson do a marvelous job sustaining an atmosphere of eerie dread…

Review of John Wick: Chapter 2 (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 29 Jan 2018

There are clear plans for a John Wick: Chapter 3, but unless they refocus on meaningful characters and dramatic conflict beyond slaughter,…

Review of Toni Erdmann (2016)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 29 Jan 2018

Slowly, through the poignancy of its writing and brilliance of its two leads, Toni Erdmann wins you over, worming its way into your mind and…

Review of Wilson (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 29 Jan 2018

Ultimate misfire though it may be, at least it's an artistically ambitious one, almost deserving of another half-star rating. Almost…

Review of Wilson (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 29 Jan 2018

Ultimate misfire though it may be, at least it's an artistically ambitious one, almost deserving of another half-star rating. Almost…

Review of Table 19 (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 29 Jan 2018

A minor trifle, Table 19 nevertheless manages to be quite entertaining when it sticks to comedy…

Review of The Zookeeper's Wife (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 28 Jan 2018

Facts alone do not compelling drama make. When the most moving scenes in a Holocaust drama are when the animals are shot, you have a problem…

Review of T2 Trainspotting (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 28 Jan 2018

It mostly succeeds ... in advancing the characters' dramatic arcs in interesting ways…

Review of Going in Style (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 28 Jan 2018

As the film progresses…

Review of Good Time (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 25 Jan 2018

Filled with striking images, excitingly disorienting action sequences and strong performances, Good Times…

Review of Lucky (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 25 Jan 2018

While the movie's dramatic arc is small, at the end of its 88 minutes we emerge refreshed, as if from an engaging dinner party spent with beloved…

Review of Ingrid Goes West (2017)

By Christopher Llewellyn Reed (298) for Hammer to Nail (208) on 25 Jan 2018

Fortunately, typecasting or not, Plaza's skills of both comedy and awkwardness are used quite well in Ingrid Goes West a new social dramedy…

Review of The Glass Castle (2017)

By Christopher Llewellyn Reed (298) for Film Festival Today (161) on 25 Jan 2018

It's a great cast ... and there are many fine moments of genuine, moving rapport between them. I just wish the film did them greater justice…

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Page 10 of 15

Christopher Llewellyn Reed has written reviews for:

Hammer to Nail (208)
Film Festival Today (161)

Christopher Llewellyn Reed is connected to:

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