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Last updated: 23 Jul 2026 at 12:43 UTC

Movie Reviews by Carlos Aguilar - Page 8 of 14

141-160 of 278 Reviews

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Review of The Souvenir: Part II (2021)

By Carlos Aguilar (278) for The Playlist (3,871) on 09 Jul 2021

A masterwork of self-introspection through the canvas of cinema, The Souvenir: Part II is a meta epic of delicate proportions that constantly…

Review of The Loneliest Whale: The Search for 52 (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 08 Jul 2021

While Zeman’s enthusiasm is occasionally infectious, his conjectures, explained in voiceover, are riddled with platitudes and self-centered…

Review of The Boss Baby: Family Business (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 30 Jun 2021

Family Business offers an array of half-baked conflicts, all crying out to be noticed, while the creators are apparently unsure of which requires…

Review of Sun Children (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 26 Jun 2021

Though affecting and humbly breathtaking, Sun Children doesn’t bargain in condescending pity…

Review of Rebel Hearts (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 25 Jun 2021

But in spite of its form not being as compelling as its subjects, Rebel Hearts is still an inspired and inspirational recounting of a historical…

Review of Fathom (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 20 Jun 2021

The balance between the humanistic and academic is way off…

Review of Ailey (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 20 Jun 2021

Caught between exalting the glory of his titanic accomplishments and their indelible mark on Black American culture, and figuring him out with…

Review of Rita Moreno: Just a Girl Who Decided to Go for It (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 16 Jun 2021

At once an affecting celebration of a truly peerless icon and a critique of the industry that almost broke her, Rita Moreno: Just a Girl Who…

Review of 12 Mighty Orphans (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 11 Jun 2021

Wholesome in the most “pull yourself up by your bootstraps” brand of mythical Americanism, 12 Mighty Orphans is engineered to rouse emotions…

Review of The Conjuring: The Devil Made Me Do It (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 01 Jun 2021

“The Devil Made Me Do It” opens with a disturbing sequence, set in 1981, that stands as the scariest part of the supernatural saga to date…

Review of Blue Miracle (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 27 May 2021

The problem isn't that this concept has been reworked to death, but that Quintana and co-writer Chris Dowling (the scribe behind Christian…

Review of Profile (2018)

By Carlos Aguilar (278) for TheWrap (3,203) on 11 May 2021

As much as Bekmambetov is able to maintain a sense of impending doom, the revelations are predictable, even if the means through which we learn…

Review of The Water Man (2020)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 06 May 2021

Heavy-handed acting from the young cast and Needell’s hackneyed dialogue further unmask the movie’s lack of visual wonder and narrative…

Review of Limbo (2020)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 30 Apr 2021

An offbeat and life-affirming triumph, “Limbo” is the kind of original work of art that moves the needle on an issue by interrogating the…

Review of Limbo (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 30 Apr 2021

An offbeat and life-affirming triumph, “Limbo” is the kind of original work of art that moves the needle on an issue by interrogating the…

Review of Limbo (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 30 Apr 2021

An offbeat and life-affirming triumph, “Limbo” is the kind of original work of art that moves the needle on an issue by interrogating the…

Review of The Human Voice (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 11 Mar 2021

Swinton manifests, with magnificently nuanced modulation, an emotional tangle; at times, it is raw with a cathartic force, while enmeshed with…

Review of The Human Voice (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 11 Mar 2021

Swinton manifests, with magnificently nuanced modulation, an emotional tangle; at times, it is raw with a cathartic force, while enmeshed with…

Review of Quo Vadis, Aida? (2021)

By Carlos Aguilar (278) for The Playlist (3,871) on 11 Mar 2021

Superbly executed, Quo Vadis, Aida? is a masterful high wire act of tension and devastating humanism…

Review of The Orphanage (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 09 Mar 2021

It’s a modest coming-of-age period piece that incidentally diverges into over-the-top dreamscapes…

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Page 8 of 14

Carlos Aguilar has written reviews for:

Los Angeles Times (12,977)
The A.V. Club (5,644)
RogerEbert.com (5,563)
The Playlist (3,871)
Indiewire (3,631)
TheWrap (3,203)
Movie Mezzanine (782)

Carlos Aguilar is connected to:

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