Movie Reviews by Carlos Aguilar - Page 7 of 14

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Review of Blood Brothers: Malcolm X & Muhammad Ali (2021)

By Carlos Aguilar (278) for IndieWire (3,631) on 09 Sep 2021

Blood Brothers” is worthwhile for the introspective investigation of lives so often, in the public eye, devoid of the tangled humanity that…

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Review of Sundown (2022)

By Carlos Aguilar (278) for The Playlist (3,871) on 06 Sep 2021

Sundown doesn’t subvert what we’ve come to expect from Franco’s work, but it is still a distinctively cerebral rumination…

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Review of Sundown (2022)

By Carlos Aguilar (278) for The Playlist (3,871) on 06 Sep 2021

Sundown doesn’t subvert what we’ve come to expect from Franco’s work, but it is still a distinctively cerebral rumination…

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Review of Yakuza Princess (2021)

By Carlos Aguilar (278) for IndieWire (3,631) on 05 Sep 2021

As an intellectually empty piece of genre cinema, “Yakuza Princess” can’t even sit alongside movies that offer similarly obtuse ideas…

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Review of C'mon C'mon (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 03 Sep 2021

The character complexities grow out of Mills’ divinely extraordinary writing…

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Review of The Power of the Dog (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 02 Sep 2021

For a movie that appears to stop and start as it shifts its focus a few times too many, denying us longer introspection into its most magnetic…

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Review of The Card Counter (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 02 Sep 2021

Even when considering how it’s graced with splashes of stylistic bravado and how vigorously head-on it distills its heady themes (all to…

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Review of 499 (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 20 Aug 2021

In 499, a truly brilliant accomplishment of unconventional storytelling, form and theme coalesce to open a portal where textbook history becomes…

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Review of Everybody's Talking About Jamie (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 14 Aug 2021

True to formula, the neatly wrapped ending is telegraphed from continents away…

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Review of Everybody's Talking About Jamie (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 14 Aug 2021

True to formula, the neatly wrapped ending is telegraphed from continents away…

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Review of Homeroom (2021)

By Carlos Aguilar (278) for The A.V. Club (5,644) on 09 Aug 2021

While Homeroom is far more contained in length and scope than a Frederick Wiseman opus, the way editors Rebecca Adorno and Kristina Motwani…

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Review of Pray Away (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 07 Aug 2021

With every added account of shameful contrition, the realization that this issue exists very much in the present tense weighs heavy on the viewer…

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Review of The Evening Hour (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 06 Aug 2021

Narrative bumps and all, The Evening Hour gives Ettinger a full stage to parade his unassuming virtuosity…

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Review of John and the Hole (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 05 Aug 2021

Even if the film is premeditatedly oblique and too precisely constructed in its cerebral machinations to engage with beyond an intellectual…

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Review of Free Guy (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 05 Aug 2021

Less inventive that it gives itself credit for, Free Guy qualifies as a summer blockbuster with something mildly compelling to say; not the…

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Review of Sabaya (2021)

By Carlos Aguilar (278) for The A.V. Club (5,644) on 28 Jul 2021

As a journalistic depiction of the rescue operations as they happen, Sabaya brims with heart-pounding tension and immediacy…

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Review of The Green Knight (2021)

By Carlos Aguilar (278) for The Playlist (3,871) on 26 Jul 2021

Told in sumptuously gritty imagery, this epic feat of bold imagination, unconcerned with mitigating its creative force for the sake of unadventurous…

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Review of Broken Diamonds (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 23 Jul 2021

The tone rarely hits its target for dark levity, often making one wonder, “Was that meant to be funny?”…

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Review of No Ordinary Man (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 16 Jul 2021

Co-directors Aisling Chin-Yee and Chase Joynt exalt the professional and personal life of Jazz musician Billy Tipton in No Ordinary Man, and…

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Review of Pig (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 15 Jul 2021

A hefty order of longing served with a side of crime thrills, Pig is flavorful, fascinating and fancy, crafted by someone who knows how to…

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Page 7 of 14

Carlos Aguilar has written reviews for:

Los Angeles Times (12,977)
The A.V. Club (5,644)
RogerEbert.com (5,563)
The Playlist (3,871)
Indiewire (3,631)
TheWrap (3,203)
Movie Mezzanine (782)

Carlos Aguilar is connected to:

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