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Calum Marsh

Last updated: 25 Jul 2026 at 07:15 UTC

Movie Reviews by Calum Marsh - Page 11 of 13

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Review of Amour (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 12 Nov 2012

This isn't the work of a newly moral or humanistic filmmaker, but another ruse by the same unscrupulous showman whose funny games have been…

Review of Killing Them Softly (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 11 Nov 2012

The film's cynicism, like everything else, is nothing more than empty posturing, a fashionable pose adopted to ingratiate itself with a disenfranchised…

Review of Silver Linings Playbook (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 10 Nov 2012

When one stops to consider how irksomely on the nose so much of this is, the qualities which intend to most readily ingratiate the film with…

Review of Dangerous Liaisons (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 07 Nov 2012

Shanghai in the 1930s seems an ideal context from which to offer social criticism, but Dangerous Liaisons forgoes engaging with the political…

Review of A Liar's Autobiography: The Untrue Story of Monty Python's Graham Chapman (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 27 Oct 2012

Graham Chapman's story, frankly, is better served by his Wikipedia page…

Review of Silent Hill: Revelation 3D (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 25 Oct 2012

Silent Hill: Revelation fundamentally misunderstands the appeal its source material…

Review of Just 45 Minutes from Broadway (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 16 Oct 2012

Henry Jaglom applies what must by now qualify as a tradition of pointless agitation to the disruption of theater…

Review of Leviathan (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 04 Oct 2012

Leviathan is a titanic achievement, a visceral overload whose impact registers immediately and with great force…

Review of Decoding Deepak (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 30 Sep 2012

Unlike his father, Gotham Chopra is more interested in his own latent daddy issues than with questions of cosmic import…

Review of Solomon Kane (2009)

By Calum Marsh (242) for Slant Magazine (8,298) on 26 Sep 2012

The fight choreography has a gracefulness bordering on elegance, and so it's a shame that these standalone thrills aren't better integrated…

Review of Doctored (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 18 Sep 2012

Bobby Sheehan doesn't just squander his objectivity, he drowns it out with bleating strings…

Review of Snowman's Land (1939)

By Calum Marsh (242) for Slant Magazine (8,298) on 15 Sep 2012

A tonal hodgepodge ever at odds with itself, Tomasz Thomson's unctuous, tongue-in-cheek debut is far too self-satisfied with its jokes for…

Review of Snowman's Land (2010)

By Calum Marsh (242) for Slant Magazine (8,298) on 15 Sep 2012

A tonal hodgepodge ever at odds with itself, Tomasz Thomson's unctuous, tongue-in-cheek debut is far too self-satisfied with its jokes for…

Review of The Master (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 09 Sep 2012

The Master is Paul Thomas Anderson with the edges sanded off, the best bits shorn down to nubs…

Review of Cloud Atlas (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 08 Sep 2012

Tom Tykwer and Andy and Lana Wachowski wanted to make a movie unlike any other, and they certainly did: Cloud Atlas is a unique and totally…

Review of The Cold Light of Day (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 03 Sep 2012

Relates more or less the same story as Spy Kids, though in this case the kid is in his late 20s and the spy stuff is much less believable or robust…

Review of Wild Horse, Wild Ride (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 22 Aug 2012

If this sounds like the premise of one of those tiresome Discovery Channel docu-tainments, it's because it essentially is, only heavily abbreviated…

Review of Painted Skin: The Resurrection (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 15 Aug 2012

A vaporous, watered-down frappe of a fantasy epic…

Review of We Women Warriors (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 05 Aug 2012

Looks and sounds considerably better than nearly every other independent documentary of its kind, forming an argument that's clear and cogent…

Review of You've Been Trumped (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 29 Jul 2012

Though Anthony Baxter seems driven by empathy rather than greed, his film is ultimately as reductive and misleading as the expensive Trump…

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