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Calum Marsh

Last updated: 25 Jul 2026 at 07:15 UTC

Movie Reviews by Calum Marsh - Page 10 of 13

181-200 of 242 Reviews

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Review of Jamel Shabazz Street Photographer (2013)

By Calum Marsh (242) for Village Voice (8,525) on 29 Jul 2013

Ahearn works at a distinct disadvantage: Present to document the book's reception rather than its genesis, he has no direct access to the vibrant…

Review of Museum Hours (2012)

By Calum Marsh (242) for Village Voice (8,525) on 24 Jun 2013

The film, a kind of hybrid between understated drama and essayistic tourism, approaches its subjects with uncommon patience and curiosity,…

Review of You Ain't Seen Nothin' Yet (2012)

By Calum Marsh (242) for Village Voice (8,525) on 03 Jun 2013

Perhaps the richest of Resnais's recent efforts…

Review of Greetings from Tim Buckley (2013)

By Calum Marsh (242) for Village Voice (8,525) on 29 Apr 2013

The film articulates this dimension of the story, regrettably, in little more than biopic platitudes and daddy-issue clichés...But it's not…

Review of The Big Wedding (2013)

By Calum Marsh (242) for Village Voice (8,525) on 25 Apr 2013

Many Hollywood films are founded on privilege, but few are as open and nasty about their racism, misogyny, and homophobia…

Review of Oblivion (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 17 Apr 2013

Absent of any sense of self-awareness, Oblivion seems only self-serious, a ponderous mess both misguided and unaware…

Review of The Angels' Share (2012)

By Calum Marsh (242) for Village Voice (8,525) on 08 Apr 2013

When The Angels' Share suddenly transforms, in its final act, into a kind of farcical heist picture, that fleeting slapstick tendency wins…

Review of Upstream Color (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 19 Mar 2013

Upstream Color is lush, rhythmic, and deeply sensual, a film of exceptional beauty…

Review of Tower (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 18 Mar 2013

Intimate and deeply observational, Tower is one of the most effective character studies in recent memory…

Review of Olympus Has Fallen (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 16 Mar 2013

The film spends its first act establishing a flimsy emotional groundwork before gleefully taking a sledgehammer to it just seconds into act two…

Review of The Call (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 14 Mar 2013

Brad Anderson's film is defined by an often frustrating combination of cleverness and stupidity…

Review of Oz the Great and Powerful (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 05 Mar 2013

An amorphous melange of ill-fitting reference points and misappropriated aesthetics, a lumbering family blockbuster both tiresome and wholly…

Review of War Witch (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 28 Feb 2013

Though ostensibly a character study, it's nevertheless characterized by the vaguely moralizing tone of an issue film, one whose candor in the…

Review of Dark Skies (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 22 Feb 2013

It doesn't take a conspiracy theorist to detect Dark Skies's thinly veiled conservatism, and it doesn't take an undue alarmist to be disturbed…

Review of Snitch (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 20 Feb 2013

Snitch is the latest in a long line of films whose sole purpose is to flatten a major social problem into a pulp ideal for self-serious spectacle…

Review of Beautiful Creatures (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 10 Feb 2013

Beautiful Creatures basically spits in the face of a legacy of literature founded on feelings of exclusion and social alienation…

Review of Hansel & Gretel: Witch Hunters (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 25 Jan 2013

Tommy Wirkola's film suggests A Knight's Tale as penned by Seth MacFarlane…

Review of The Last Stand (2013)

By Calum Marsh (242) for Slant Magazine (8,298) on 15 Jan 2013

One of its most refreshing aspects is its acceptance of both western and action-film conventions on their own terms, refusing to regard itself…

Review of Dredd (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 30 Dec 2012

Whether by design or otherwise, Dredd seems better-suited to a 2D home video presentation than to the 3D silver screen…

Review of Les Misérables (2012)

By Calum Marsh (242) for Slant Magazine (8,298) on 07 Dec 2012

One would be hard-pressed to describe this, despite the wealth of beauty on display, as anything but an ugly film, shot and cut ineptly…

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