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Barry Hertz

Last updated: 08 Jul 2026 at 07:31 UTC

Movie Reviews by Barry Hertz - Page 5 of 40

81-100 of 792 Reviews

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Review of Triangle of Sadness (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 06 Oct 2022

There are movies that are on-the-nose and then there is Ruben Ostlund’s Triangle of Sadness, a satire™ that is so pharyngeal that it is…

Review of Blonde (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 05 Oct 2022

Blonde is a precisely engineered nightmare…

Review of Amsterdam (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 03 Oct 2022

Russell’s film is not remotely playable…

Review of Athena (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Sep 2022

It is at times brash and thick-headed in its characters and politics, but it is engineered with such an electric ferocity – a beautiful marriage…

Review of Bros (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Sep 2022

Bros is a genuinely hilarious, wonderful movie: heartfelt, slick and crafted with such careful comedic care that a good deal of jokes will…

Review of Three Thousand Years of Longing (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 31 Aug 2022

Miller’s go-for-broke visuals and his stars’ fiercely committed work allow Three Thousand to speed by on wit, energy, and gushy, bleeding-heart…

Review of Prey (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Aug 2022

Prey is exactly the type of late-summer nastiness that deserves to be enjoyed with fellow hooters and hollerers…

Review of Crimes of the Future (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Aug 2022

Crimes of the Future is a dirty little thing because it dives deep into the muck of humanity, where Cronenberg finds a perverted pleasure in…

Review of Bodies Bodies Bodies (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Aug 2022

An energetic, cockeyed, bloody, and sometimes delightfully vicious skewering of Millennial culture – or, more accurately, what Instagram-less…

Review of Prey (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Aug 2022

Prey is exactly the type of late-summer nastiness that deserves to be enjoyed with fellow hooters and hollerers…

Review of Emily the Criminal (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Aug 2022

Ford’s film cannot be entirely discounted – the director knows a star when he sees one, and seems to retroactively contort his screenplay…

Review of I Love My Dad (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 07 Aug 2022

The director fumbles frequently, but at least he is confident enough in his uneven vision to push through all (warranted) doubts and deliver…

Review of Bullet Train (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 02 Aug 2022

Bullet Train’s biggest weapon, of the secretly funny variety, rests in the chiselled form of star Brad Pitt, who once again proves that he…

Review of Resurrection (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2022

The filmmaker is obviously toying with what horror films can be, with what audiences expect of both cheap thrills and high-priced performers…

Review of Résurrection (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2022

The filmmaker is obviously toying with what horror films can be, with what audiences expect of both cheap thrills and high-priced performers…

Review of Resurrection (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2022

The filmmaker is obviously toying with what horror films can be, with what audiences expect of both cheap thrills and high-priced performers…

Review of Resurrection (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2022

The filmmaker is obviously toying with what horror films can be, with what audiences expect of both cheap thrills and high-priced performers…

Review of Resurrection (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2022

The filmmaker is obviously toying with what horror films can be, with what audiences expect of both cheap thrills and high-priced performers…

Review of Thirteen Lives (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 25 Jul 2022

When Howard focuses on the head-scratching mechanics of the mission itself, Thirteen Lives excels – and its many claustrophobic underwater…

Review of Fire of Love (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 19 Jul 2022

While Dosa has a talent, and perhaps a fascination equalling her subjects, for illustrating the hidden beauty of the natural world, she ultimately…

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