Cinafilm has over 5 million movie reviews and counting …

About Us
Contact Us
Sitemap
Follow us onCinafilm - Twitter Cinafilm - Pinterest

Last updated: 16 Jun 2026 at 09:53 UTC

Movie Reviews by Anthony Lane - Page 5 of 54

81-100 of 1,079 Reviews

Sort by:

Review of I'm Your Man (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 20 Sep 2021

Never, though, has the evolution of an automaton been depicted with the extensive grace and wit that Dan Stevens, speaking good German with…

Review of The Eyes of Tammy Faye (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 20 Sep 2021

Jones is as formidable as ever, and Vincent D’Onofrio gives a sombre and riveting portrayal of Jerry Falwell, the Baptist Savonarola, who…

Review of The Nowhere Inn (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 13 Sep 2021

As you’d imagine, the entire shebang is so naggingly self-referential, and so noisy with in-jokes, that it should, by rights, disappear up…

Review of The Card Counter (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 13 Sep 2021

What’s discomforting about The Card Counter is that Schrader builds this strong moral backdrop for his characters and then allows them to…

Review of Language Lessons (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 07 Sep 2021

As a performer, Morales is laughably smart, sympathetic, and engaging, and what’s so clever about Language Lessons is the deployment of that allure…

Review of Azor (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 07 Sep 2021

Azor is Fontana’s first feature, and what’s impressive is how coolly he avoids the temptation to put on a big show, preferring more delicate…

Review of Free Guy (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Aug 2021

Levy, holding his nerve, does cut through the chaos, delivering a fable that, if not exactly coherent, is nonetheless tinged with the very…

Review of Annette (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 09 Aug 2021

Annette is a folie de grandeur, alas, without the grandeur…

Review of John and the Hole (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 02 Aug 2021

Sisto picks up the spell that is cast by Lowery’s tale, verdant with danger, and continues to weave…

Review of The Green Knight (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 02 Aug 2021

The Green Knight wields a peculiar magic, the reason being that Lowery—as he showed in A Ghost Story (2017), which ranged with ease over…

Review of Settlers (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 19 Jul 2021

Tense and firm at either end, it sags in the middle like a mattress…

Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 28 Jun 2021

Summer of Soul is one of those rare films from which you emerge saying, “My favorite part was that bit. No, that bit. Wait, how about that bit?”…

Review of F9 (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 28 Jun 2021

The acting is of a soaring ineptitude; the deeper Diesel emotes, the more he resembles a man who dabbed too much wasabi on his tuna roll…

Review of Undine (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 14 Jun 2021

This is classic Petzold territory, where you can dwell in a place, or a relationship, without ever quite belonging there…

Review of In the Heights (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 14 Jun 2021

To dramatize such binding ideals, for almost two and a half hours, and to conjure precipitous revels from next to nothing, as Miranda and Chu…

Review of Cruella (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 02 Jun 2021

Emotions are not toyed with glancingly but stretched out and blazoned forth, and the result is that the new film is nearly an hour longer than…

Review of The Dry (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 17 May 2021

The plot of The Dry, it has to be said, is not a model of elegance and plausibility…

Review of Monday (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Apr 2021

Eventually, despite a number of Dionysian interludes, not least a drug-driven scooter ride with neither helmets nor clothes, this on-off emotional…

Review of Voyagers (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Apr 2021

Most of Burger’s film, in truth, is either numb or dumb…

Review of Monday (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Apr 2021

Eventually, despite a number of Dionysian interludes, not least a drug-driven scooter ride with neither helmets nor clothes, this on-off emotional…

1
...
4
5
6
...
54

Page 5 of 54

Anthony Lane has written reviews for:

Anthony Lane is connected to:

Share This Page

Share

Tweet

Popular Movies Right Now

2022

66%170 Reviews

2018

69%617 Reviews

Mad Max: Fury Road

2015

83%1,378 Reviews

Blade Runner 2049

2017

80%2,332 Reviews

Ready Player One

2018

72%1,541 Reviews

Avengers: Endgame

2019

86%432 Reviews

Where the Crawdads Sing

2022

63%92 Reviews

2022

72%115 Reviews

2022

75%430 Reviews

2018

72%1,650 Reviews

Get social with CinafilmFollow us for reviews of the latest moviesCinafilm - Twitter Cinafilm - Pinterest Cinafilm - RSS

© 2026 Cinafilm Internet Productions

Prime Video logo is a trademark of Amazon.com, Inc. or its affiliates

Our website support team can be reached by email at [email protected], or by phoning +44 3300 431 396

Cinafilm IP, Office 12693, PO Box 15113, Birmingham, West Midlands, B2 2NJ, United Kingdom