Review of The Green Knight (2021) by Anthony Lane for The New Yorker — 02 Aug 2021
The Green Knight wields a peculiar magic, the reason being that Lowery—as he showed in A Ghost Story (2017), which ranged with ease over centuries—is consumed by cinema’s capacity to measure and manipulate time.
You can read the full review where it was originally posted online.
This review of The Green Knight (2021) was written by Anthony Lane and published by The New Yorker on 02 Aug 2021.
The Green Knight has generally received positive reviews.
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