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Last updated: 27 Jul 2026 at 04:04 UTC

Movie Reviews by Ann Hornaday - Page 13 of 96

241-260 of 1,919 Reviews

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Review of Joker (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 01 Oct 2019

The truth is, it’s just a movie — a fine movie, not a great movie, a movie that will please the specific subculture of fans it aims to…

Review of Judy (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 25 Sep 2019

The result is a relatively straightforward slice-of-life biopic, bogged down with flashbacks and backstage histrionics, that nonetheless offers…

Review of Judy (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 25 Sep 2019

The result is a relatively straightforward slice-of-life biopic, bogged down with flashbacks and backstage histrionics, that nonetheless offers…

Review of Where's My Roy Cohn? (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 24 Sep 2019

Through the lens of the eminence sleaze at its center, Where’s My Roy Cohn? offers as cogent a primer as any on how we got here…

Review of Ad Astra (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 19 Sep 2019

In a mesmerizing, minimalist performance, Pitt forms the gravitational center of a film that takes its place in the firmament of science fiction…

Review of Hustlers (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 10 Sep 2019

A funny, naughty, enormously entertaining kick in the pants, promising to be an East Coast “Showgirls,” only to wind up a girls-rule “Goodfellas,”…

Review of The Goldfinch (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 10 Sep 2019

Overstuffed, overlong and utterly uninvolving, this is a movie that feels as morbidly trapped as the poor little bird of its title…

Review of Official Secrets (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 04 Sep 2019

Although Knightley’s Gun often seems to be a passive figure, buffeted by the machinations of those around her, the film’s honesty about…

Review of Brittany Runs a Marathon (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 28 Aug 2019

An engaging, modestly amusing, sometimes laugh-out-loud hilarious comedy of manners in which the usual millennial excesses are skewered, from…

Review of American Factory (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 21 Aug 2019

Filmed with extraordinary attention to environmental detail and revealing human interactions, American Factory is that rare documentary that’s…

Review of Cold Case Hammarskjöld (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 21 Aug 2019

Funny, provocative and chilling, Cold Case Hammarskjold draws the viewer into that helix and manages to be improbably entertaining, even as…

Review of Where'd You Go, Bernadette (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 14 Aug 2019

If the family dynamics feel perfunctory and too-neatly resolved by the end of Where’d You Go, Bernadette, Blanchett’s nuanced portrayal…

Review of Blinded by the Light (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 13 Aug 2019

Warm, funny, humane and deeply sincere, this ode to Bruce Springsteen, breaking free and belonging isn’t content merely to revel in Springsteen’s…

Review of The Kitchen (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 07 Aug 2019

Although there are genuine moments of humor, they’re at odds with the increasingly ghastly measures taken by the three protagonists, as they…

Review of David Crosby: Remember My Name (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 31 Jul 2019

Famously prickly, Crosby never gets really angry in “Remember My Name,” although at one point he yells at Eaton about the filmmaker not…

Review of Once Upon a Time... in Hollywood (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 24 Jul 2019

Once Upon a Time in Hollywood is often diverting to watch, and it’s been shot on 35mm film with lovingly expressive care by Robert Richardson…

Review of The Farewell (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 17 Jul 2019

The Farewell pays delightful, insightful homage to the facades and pretenses nearly everyone adopts in the name of compassion…

Review of Sword of Trust (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 17 Jul 2019

There’s a low-key, lackadaisical charm about Sword of Trust that might lead viewers to mistake its modesty for lack of ambition…

Review of Marianne & Leonard: Words of Love (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 09 Jul 2019

Dutifully covering the rise, fall and final triumph of Cohen’s career, Broomfield relegates Ihlen to the background of her own story, before…

Review of Stuber (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 09 Jul 2019

Even Nanjiani’s endearingly funny turn isn’t enough to elevate Stuber above its own trite, lazy aspirations…

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Page 13 of 96

Ann Hornaday has written reviews for:

Washington Post (9,851)
Baltimore Sun (1,823)

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