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Last updated: 27 Jul 2026 at 02:30 UTC

Movie Reviews by Ann Hornaday - Page 12 of 96

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Review of Mickey and the Bear (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 12 Dec 2019

This is one of the most exciting breakout films of the year, introducing Attanasio as a vibrant new voice in American cinema. More, please…

Review of The Two Popes (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 04 Dec 2019

This lively, intriguing and insistently humanistic flight of fancy — imagined conversations between hard-line conservative Pope Benedict…

Review of Knives Out (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 25 Nov 2019

The fun here — and there is a lot of it — is to be had simply in allowing an ensemble of game, generous-spirited actors to give their all…

Review of Queen & Slim (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 25 Nov 2019

At its best, Queen & Slim isn’t just a crime drama but a nuanced portrayal of family, legacy and self-preservation — how they’re distorted…

Review of A Beautiful Day in the Neighborhood (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 20 Nov 2019

In an era that seems fatally mired in fear, anger and mistrust, A Beautiful Day in the Neighborhood arrives as something more than a movie…

Review of Waves (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 19 Nov 2019

Waves is as exhilarating and terrifying as the roller-coaster ride of adolescence itself, plunging viewers into a world brimming with music…

Review of Waves (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 19 Nov 2019

Waves is as exhilarating and terrifying as the roller-coaster ride of adolescence itself, plunging viewers into a world brimming with music…

Review of Marriage Story (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 13 Nov 2019

Somehow Baumbach manages to find a nugget of humor at even the most painful points…

Review of Honey Boy (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 12 Nov 2019

Well, surprise: Honey Boy, Shia LaBeouf’s startlingly forthright, cathartic and beautifully acted movie based on his confusing and chaotic…

Review of For Sama (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 06 Nov 2019

For Sama is a before-and-after portrait, both literally and figuratively…

Review of The Irishman (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 06 Nov 2019

The Irishman is a feast for the ages, a groaning board of exquisitely photographed scenes, iconic performances and tender nods toward old age…

Review of Harriet (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 30 Oct 2019

Peppered with tense action sequences and propelled by a characteristically gorgeous musical score by Terence Blanchard, Harriet is the kind…

Review of Motherless Brooklyn (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 30 Oct 2019

Norton, who wrote and directed Motherless Brooklyn, does his best to imitate the genre’s snappy dialogue and clever red herrings; but what…

Review of The Cave (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 23 Oct 2019

Fayyad — who directed a team of cinematographers remotely when he was prevented from entering Ghouta himself — films The Cave with a grace…

Review of The King (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 23 Oct 2019

In this case, director David Michôd — working from a script he co-wrote with actor Joel Edgerton — doesn’t make the material distinctive…

Review of Jojo Rabbit (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 23 Oct 2019

Set to an anachronistic pop soundtrack and an eye-poppingly attractive production design that would be right at home in a Wes Anderson movie,…

Review of The cave (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 23 Oct 2019

Fayyad — who directed a team of cinematographers remotely when he was prevented from entering Ghouta himself — films The Cave with a grace…

Review of Cave Rescue (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 23 Oct 2019

Fayyad — who directed a team of cinematographers remotely when he was prevented from entering Ghouta himself — films The Cave with a grace…

Review of The Laundromat (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 09 Oct 2019

As inventive as The Laundromat is as an information vector, though, its semi-ironic tone is at odds with the content at hand: This is a movie…

Review of Dolemite Is My Name (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 09 Oct 2019

Like “Once Upon a Time in Hollywood,” this is a movie rooted in the scruffy but golden days of the 1970s, populated by strivers and schemers…

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Ann Hornaday has written reviews for:

Washington Post (9,851)
Baltimore Sun (1,823)

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