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Last updated: 25 Jul 2026 at 15:07 UTC

Movie Reviews by Alison Willmore - Page 7 of 35

121-140 of 681 Reviews

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Review of Infinite (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 10 Jun 2021

Infinite feels like a depressing fable about the movie industry…

Review of The Conjuring: The Devil Made Me Do It (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 04 Jun 2021

It’s not Chaves’s takeover that makes this new film feel like it runs off the rails — it’s the choice to shift focus from a haunting…

Review of Undine (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 04 Jun 2021

It feels like a fist that won’t close, its elements never intentionally coming together…

Review of The Woman in the Window (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 14 May 2021

There is something endearing about watching a high-end cast and crew treat this material with such seriousness, even if they all seem to have…

Review of Oxygen (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 May 2021

Aja knows what sort of product he is turning out and does it ably, if without much excitement, as though understanding he is filling a hole…

Review of Here Today (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 11 May 2021

While Here Today never works, there is a confessional quality to it that makes it intermittently interesting…

Review of Tom Clancy's Without Remorse (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 29 Apr 2021

Without Remorse is awful — an incoherently shot, grindingly dull movie in which just about every actor manages to seem miscast…

Review of Street Gang: How We Got to Sesame Street (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 23 Apr 2021

Agrelo steers clear of the straight-up hagiography that plagues so many docs framed as tributes to their subjects…

Review of In the Earth (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 15 Apr 2021

COVID has proven a difficult subject for fiction, but In the Earth feels as though it sets up an emotional parallel that it doesn’t follow…

Review of Thunder Force (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 09 Apr 2021

Thunder Force doesn’t work as a comedy, but that’s because it doesn’t really work as a movie…

Review of Voyagers (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 08 Apr 2021

Voyagers, in keeping its focus where it does, feels like a waste not just because of how predictable its beats are, but because it ends just…

Review of French Exit (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 02 Apr 2021

Watching the movie summons the distinct sensation of arriving at a party just as the guests are starting to leave…

Review of Nobody (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 25 Mar 2021

Naishuller doesn’t bring the elegant coherence that Leitch and Stahelski do to their fight sequences or manage the same touch of absurdity…

Review of The Human Voice (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 18 Mar 2021

The Human Voice is all about the muddied lines between the fabricated and the genuine, and about how much a performance can be divorced from…

Review of The Human Voice (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 18 Mar 2021

The Human Voice is all about the muddied lines between the fabricated and the genuine, and about how much a performance can be divorced from…

Review of Boogie (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Mar 2021

There is a maddeningly unconsidered quality to Boogie’s emotions about Asian American masculinity, and never more so than in the film’s…

Review of Raya and the Last Dragon (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 04 Mar 2021

Raya and the Last Dragon is a reminder of the things that Disney has always been capable of doing so well at its heights, a marvel of character…

Review of The Father (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 26 Feb 2021

Masterful and agonizing, The Father is a gorgeously crafted film about a doomed arrangement entered into with love, even though it can only…

Review of Supernova (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 29 Jan 2021

Supernova isn’t adapted from a play, but it sometimes feels like it was, not because of its talkiness or the tightness of its focus, but…

Review of Supernova (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 29 Jan 2021

Supernova isn’t adapted from a play, but it sometimes feels like it was, not because of its talkiness or the tightness of its focus, but…

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Alison Willmore has written reviews for:

Village Voice (8,525)
Time Out (7,510)
The A.V. Club (5,644)
The Playlist (3,871)
New York Magazine (Vulture) (3,519)
AV Club (2,778)
Movieline (883)
BuzzFeed News (197)
IFC.com (108)

Alison Willmore is connected to:

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