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Last updated: 25 Jul 2026 at 07:13 UTC

Movie Reviews by Alison Willmore - Page 6 of 35

101-120 of 681 Reviews

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Review of The Tragedy of Macbeth (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 29 Sep 2021

Washington manages the near-impossible feat of delivering his lines as though he’s putting the words together in the moment, speaking some…

Review of Spencer (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 17 Sep 2021

Diana, with her glamorous gowns and her taste for fast food, may be forever too much and not enough, but Spencer is just right…

Review of The Eyes of Tammy Faye (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 17 Sep 2021

The Eyes of Tammy Faye, which was written by Abe Sylvia, is unable to decide if it wants to understand its subject or make fun of her, and…

Review of Dune (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Sep 2021

Being the hero of the story has never looked so poisoned, and that alone is thrilling enough to hope Villeneuve gets to make part two of this…

Review of The Card Counter (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 02 Sep 2021

What makes The Card Counter so delicious, aside from the Mad Libs quality of the way it connects card playing and government-sanctioned torture,…

Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 01 Sep 2021

Shang-Chi and the Legend of the Ten Rings may give us the franchise’s first Asian American superhero, but what may be the most Asian American…

Review of Reminiscence (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 20 Aug 2021

Reminiscence is the damnedest thing — a movie filled with promising concepts it doesn’t get around to exploring, because it’s dedicated…

Review of Don't Breathe 2 (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 14 Aug 2021

We love charismatic murders and compelling monsters, but it’s always a little more comfortable to love them when they appear to be acting…

Review of Coda (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Aug 2021

While a little sentimentality never hurt anyone, what stands out when revisiting CODA outside the festival bubble are the parts that feel unguided…

Review of CODA (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Aug 2021

While a little sentimentality never hurt anyone, what stands out when revisiting CODA outside the festival bubble are the parts that feel unguided…

Review of Swan Song (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 10 Aug 2021

Swan Song is a tremendously tender love letter to someone who survived so many of the slings and arrows that accompanied being an openly gay…

Review of Stillwater (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 30 Jul 2021

Stillwater is the new movie from director Tom McCarthy, and it feels like one he’s spent his career preparing for — an enthralling, exasperating,…

Review of The Green Knight (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 27 Jul 2021

The Green Knight is about someone who keeps waiting for external forces to turn him into the gallant, heroic figure he believes he should be…

Review of Old (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 23 Jul 2021

Shyamalan…

Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 16 Jul 2021

Roadrunner may have been made too soon, and made with a misguided approach in mind, but in its closing moments, it manages a sudden magnificence…

Review of Black Widow (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 10 Jul 2021

That it feels like it’s half at war with its title character, bringing her firmly to Earth (until she, like Bond in Moonraker, has to make…

Review of Fear Street: 1994 (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 02 Jul 2021

Fear Street Part 1: 1994 is a nasty, effective slasher…

Review of Zola (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 30 Jun 2021

The film is about the power of storytelling, and not in the cornball, self-congratulatory sense in which that phrase is normally deployed…

Review of F9 (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 23 Jun 2021

To watch director Justin Lin, who returned for F9 and the two subsequent films that will close the series out, wind things back to the start…

Review of Luca (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 17 Jun 2021

Luca is so intent on meaning something that it only ever halfway inhabits the delightfully colorful world it lays out…

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Alison Willmore has written reviews for:

Village Voice (8,525)
Time Out (7,510)
The A.V. Club (5,644)
The Playlist (3,871)
New York Magazine (Vulture) (3,519)
AV Club (2,778)
Movieline (883)
BuzzFeed News (197)
IFC.com (108)

Alison Willmore is connected to:

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