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Adam Nayman

Last updated: 09 Jul 2026 at 14:07 UTC

Movie Reviews by Adam Nayman - Page 17 of 18

321-340 of 350 Reviews

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Review of 24 Hour Party People (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 25 Aug 2002

A formally dazzling, breathlessly profane love letter to punk attitude that recalls every rockumentary from A Hard Day's Night to This is Spinal…

Review of The Adventures of Pluto Nash (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 25 Aug 2002

Not a bad film, merely mediocre in every respect…

Review of The Good Girl (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 25 Aug 2002

Funny in the most squirm-inducing of ways…

Review of Serving Sara (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 25 Aug 2002

A movie without a redeeming feature: a black hole where laughter goes to die…

Review of My Big Fat Greek Wedding (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 19 Aug 2002

A simple but likeable film that points out its characters' foibles while retaining an affection for their eccentricities…

Review of Sunshine State (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 19 Aug 2002

A fiercely intelligent South Florida mosaic…

Review of Never Again (2001)

By Adam Nayman (350) for eye WEEKLY (415) on 02 Aug 2002

Tambor and Clayburgh are actually both very likeable in their roles, but the script is just miserable…

Review of The Country Bears (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 02 Aug 2002

It's fitting that a movie as artificial and soulless as The Country Bears owes its genesis to an animatronic display at Disneyland…

Review of Road to Perdition (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 18 Jul 2002

There's no spontaneity in David Self's spare, purely functional screenplay, which telegraphs even the biggest surprises so as to dull any edge…

Review of Nine Queens (2000)

By Adam Nayman (350) for eye WEEKLY (415) on 17 Jun 2002

There's a lot of honour-among- thieves squabbling between Juan and Marcos, both of whom have excellent motivation to distrust the other, but…

Review of Windtalkers (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 17 Jun 2002

It's a film so terrifically inept, on so many levels of direction, performance and intent, that it demands and receives its audience's full,…

Review of Bad Company (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 09 Jun 2002

After nearly two hours, it all mercifully ends, leaving the viewer to ponder all the ways that $80 million dollars might have been better spent…

Review of The New Guy (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 25 May 2002

It contains moments that suggest a genuinely original comic sensibility, but too often the film retreats into standard gross-out territory…

Review of Big Trouble (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 13 Apr 2002

Laboured, wheezy and almost completely unfunny…

Review of High Crimes (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 13 Apr 2002

It becomes evident that the plot is just a machine to jerk the audience around, and a poorly oiled machine at that -- it clanks when it should click…

Review of Harrison's Flowers (2000)

By Adam Nayman (350) for eye WEEKLY (415) on 18 Mar 2002

This is a very good film, and it heralds an emerging directorial talent…

Review of Return to Never Land (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 16 Feb 2002

The kids in the audience at the preview screening seemed bored, cheering the pratfalls but little else; their parents, wise folks that they…

Review of John Q (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 16 Feb 2002

A profoundly bad movie, managing to incorporate every cliché in the hostage-drama genre into its skimpy narrative…

Review of Secret Ballot (2001)

By Adam Nayman (350) for eye WEEKLY (415) on 04 Feb 2002

Payami is to be applauded for taking biting potshots at such volatile issues as Iran's outmoded electoral process and women's status as second-class…

Review of I Am Sam (2014)

By Adam Nayman (350) for eye WEEKLY (415) on 26 Jan 2002

It's a well-written and exceptionally well-acted tearjerker…

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