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Adam Nayman

Last updated: 09 Jul 2026 at 14:07 UTC

Movie Reviews by Adam Nayman - Page 15 of 18

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Review of One Last Ride (2006)

By Adam Nayman (350) for L.A. Weekly (3,142) on 30 Jan 2007

It's typical poor-schnook-in-over-his-head stuff, spiked with some nervy, Pi-esque montages of eyes, horses and racing forms that illustrate…

Review of Linda Linda Linda (2005)

By Adam Nayman (350) for eye WEEKLY (415) on 12 Jan 2007

Director Nobuhiro Yamashita seems to be aiming for a laconic deadpan tone, yet the static camera work and even-keel pacing elicit more yawns…

Review of Manufactured Landscapes (2006)

By Adam Nayman (350) for eye WEEKLY (415) on 22 Sep 2006

Though its vistas may look alien, this urgent, quietly damning film never lets us forget that we, by dint of our comfy environs, are their creators…

Review of Snow Cake (2006)

By Adam Nayman (350) for eye WEEKLY (415) on 22 Sep 2006

Marc Evans' direction is alternately clear-eyed and blearily sentimental, but the film is a fine showcase for Weaver…

Review of The Fall of Fujimori (2006)

By Adam Nayman (350) for L.A. Weekly (3,142) on 03 May 2006

Although they’re not revealing in a Barbara Walters gets the guest to cry sense, the interview segments are queasily fascinating…

Review of C.S.A.: The Confederate States of America (2005)

By Adam Nayman (350) for L.A. Weekly (3,142) on 23 Feb 2006

C.S.A…

Review of Magnifico (2003)

By Adam Nayman (350) for eye WEEKLY (415) on 29 Oct 2004

That I bought into this transparent exercise in tear-jerking…

Review of Dawn of the Dead (1978)

By Adam Nayman (350) for eye WEEKLY (415) on 08 Apr 2004

Basically, it's a very well-photographed and edited B-movie, admirably relying less on bass-chord jump scares than mercilessly ratcheted --…

Review of Dawn of the Dead (2004)

By Adam Nayman (350) for eye WEEKLY (415) on 08 Apr 2004

Basically, it's a very well-photographed and edited B-movie, admirably relying less on bass-chord jump scares than mercilessly ratcheted --…

Review of The Perfect Score (2004)

By Adam Nayman (350) for eye WEEKLY (415) on 01 Feb 2004

Begins to feel like The Break and Enter Club…

Review of Monsieur Ibrahim (2003)

By Adam Nayman (350) for Boxoffice Magazine (2,896) on 18 Jan 2004

Good intentions meet maladroit writing in Francois Dupreyon's tacky coming-of-age drama, which skillfully imagines the bustle of 1960s Paris…

Review of In America (2003)

By Adam Nayman (350) for eye WEEKLY (415) on 15 Jan 2004

As good as the Bolger sisters are, it's the hard-edged performances of Considine and Morton that truly bring urgency to the material…

Review of House of the Dead (2003)

By Adam Nayman (350) for eye WEEKLY (415) on 15 Jan 2004

Boll directs the film as indiscriminately as his characters fire their weapons…

Review of Chasing Liberty (2004)

By Adam Nayman (350) for eye WEEKLY (415) on 15 Jan 2004

The thoroughly unremarkable Chasing Liberty makes it three negligible movies in a row for Mandy Moore…

Review of Brother Bear (2003)

By Adam Nayman (350) for eye WEEKLY (415) on 15 Jan 2004

Skirts self-parody in its rigid adherence to the cartoon-epic template…

Review of The Statement (2003)

By Adam Nayman (350) for eye WEEKLY (415) on 15 Jan 2004

What hampers the film is a curious lack of urgency, manifested in plot developments that are either painfully perfunctory…

Review of Lucía, Lucía (2003)

By Adam Nayman (350) for eye WEEKLY (415) on 04 Aug 2003

The film is enjoyable in the manner of a high-gloss soap opera, but its forays into socio-political commentary are as laboured as its unnecessarily…

Review of Lawless Heart (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 07 Jul 2003

The skill with which these temporalities are connected is considerable…

Review of People I Know (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 07 Jul 2003

At one point, a character kids Eli about being 'moth-eaten,' but the term would be better applied to the film's crippling third act…

Review of The Safety of Objects (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 07 Jul 2003

Simply put, there's too much going on, and too many fragile, damaged characters to fret appropriately over…

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