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Review of Oppenheimer (2023)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 27 Jul 2023

By the time Oppenheimer ends, it becomes more about the interpersonal problems of two miniscule men—miniscule, at least, against the backdrop…

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Review of Talk to Me (2023)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 27 Jul 2023

The possession scenes are the calling card for the Philippous as filmmakers, whose 360-degree camera captures both the unsettling otherworldliness…

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Review of Earth Mama (2023)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 27 Jul 2023

Earth Mama taps into a primal understanding of motherhood that’s true for Gia, whether she is a “good” mother or not…

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Review of Haunted Mansion (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 27 Jul 2023

[Simien] keeps things moving along, more or less, and the appealing cast hit their marks, but it’s dispiriting to see him directing what…

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Review of Barbie (2023)

By Tvjerry (1,783) on 27 Jul 2023

Stereotypical Barbie (Margot Robbie) lives happily in Barbieland, where most of the women are variations on Barbie and most of the men are…

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Review of Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Jul 2023

Adopting a decidedly younger spin toward its teenage heroes, the hugely entertaining and funny film seems destined to reinvigorate the franchise…

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Review of Kokomo City (2023)

By Liam Lacey (1,725) for Original-Cin (1,156) on 27 Jul 2023

Kokomo City is a vibrant, original work, shot in black and white, in a kaleidoscopic blend of monologues, conversations, and re-enactments…

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Review of Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 27 Jul 2023

Using its hyperactive nature to disguise how there’s not much going on, “Mutant Mayhem” is a pretty shallow venture thematically…

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Review of Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

By Peter Debruge (1,557) for Variety (12,700) on 27 Jul 2023

The movie’s mostly just meant to be fun, and that it is, skewing young while giving lifelong fans (including those who grew up on the Turtles)…

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Review of Talk to Me (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 27 Jul 2023

By choosing simplicity over specifics, the filmmakers free themselves from the weight of words and open up space for a mood of intense disquiet…

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Review of Talk to Me (2023)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 27 Jul 2023

Even when Talk to Me flirts with incoherence, Wilde pulls it back from the brink…

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Review of Aurora's Sunrise (2023)

By Wendy Ide (1,500) for Screen Daily (1,021) on 27 Jul 2023

Aurora’s Sunrise is notable not so much for its use of animation, which is effective but not especially creative or technically groundbreaking,…

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Review of Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Jul 2023

Irreverent and action-packed without sacrificing charm or emotional resonance, Teenage Mutant Ninja Turtle: Mutant Mayhem takes a page from…

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Review of Talk to Me (2023)

By Katie Walsh (1,279) for The Seattle Times (964) on 27 Jul 2023

Talk To Me isn’t just a splashy debut for the Philippou brothers, who prove their filmmaking chops in making the leap from the small screen…

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Review of Happiness for Beginners (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Jul 2023

This veritable “Eat, Pray, Hike” leaves no trace of originality or dramatic consequence…

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Review of Talk to Me (2023)

By Donald Clarke (1,051) for The Irish Times (483) on 27 Jul 2023

Having honed their film-making through endless online pastiches, the directors know just how to time the stomach-jolting jump scares…

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Review of Haunted Mansion (2023)

By Brian Lowry (913) for CNN (497) on 27 Jul 2023

Disney’s latest renovation of “Haunted Mansion” is certainly clever in building off the foundation of the theme-park ride, with a darker…

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Review of Talk to Me (2023)

By David Fear (910) for Rolling Stone (4,035) on 27 Jul 2023

As a horror movie, Talk is cheap thrills, done cleverly and with an abundance of voltage…

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Review of The Unknown Country (2023)

By Lisa Kennedy (833) for The New York Times (9,847) on 27 Jul 2023

The film’s gentle detours into the real-life stories remind us that it is the people met on the road that so often make the trip memorable…

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Review of The Beanie Bubble (2023)

By Tara Brady (805) for The Irish Times (483) on 27 Jul 2023

Gore, who directs with her partner, Damian Kulash, maintains a giddy tone that sometimes sits uneasily with temporal shifts that mirror the…

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Page 98 of 258,691

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