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Review of The Eternal Daughter (2022)

By Jluis_001 (2,242) on 23 Dec 2022

The Souvenir Part 1 and 2 were movies that did little for me, so even with my reservations I wasn't sure what to expect from The Eternal Daughter…

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Review of Aftersun (2022)

By Jluis_001 (2,242) on 23 Dec 2022

I applaud the naturalness with which the performances register the events unfolding on screen, because this was crucial to how this film worked…

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Review of The Quiet Girl (2022)

By Jluis_001 (2,242) on 23 Dec 2022

After seeing Aftersun where one of the main characters couldn't figure out how to be a parent, now it's the turn of a story in which parenting…

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Review of Aftersun (2022)

By Jluis_001 (2,242) on 23 Dec 2022

I applaud the naturalness with which the performances register the events unfolding on screen, because this was crucial to how this film worked…

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Review of Till (2022)

By Jluis_001 (2,242) on 23 Dec 2022

I think the most important thing this film represents is that this is a story that should by no means be forgotten…

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Review of Nanny (2022)

By Jluis_001 (2,242) on 23 Dec 2022

Nanny is a slow-burning drama/thriller that uses a fairly slow pace that seeks in every way possible to be sinister and ominous to build to…

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Review of Till (2022)

By Jluis_001 (2,242) on 23 Dec 2022

I think the most important thing this film represents is that this is a story that should by no means be forgotten…

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Review of Moonage Daydream (2022)

By Jluis_001 (2,242) on 23 Dec 2022

David Bowie is like The Beatles, The Rolling Stones, The Beach Boys, Prince, Led Zeppelin, you name any legendary act of the Rock scene…

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Review of Women Talking (2022)

By A.o. Scott (2,100) for The New York Times (9,847) on 23 Dec 2022

The root of Protestantism, after all, is protest — against arbitrary and unaccountable authority in the name of a higher truth…

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Review of No Bears (2022)

By A.o. Scott (2,100) for The New York Times (9,847) on 23 Dec 2022

Panahi, whose courage and honesty are beyond doubt, has made a movie that calls those very qualities into question, a movie about its own ethical…

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Review of Broker (2022)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 23 Dec 2022

Broker marks another minor miracle from writer-director Hirokazu Kore-eda, featuring another one of his makeshift families…

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Review of Bad Axe (2022)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 23 Dec 2022

Formally straightforward and heavily reliant on the perspective of the oldest sister, Jaclyn, Bad Axe (whose title comes from the name of the…

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Review of Babylon (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Dec 2022

There isn’t much going on other than the spectacle of its busily spinning parts, which might be tolerable if the first two hours weren’t…

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Review of Corsage (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Dec 2022

Making Elisabeth interestingly human proves more than enough, a feat that Kreutzer and Krieps accomplish to dazzling effect…

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Review of Babylon (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Dec 2022

There isn’t much going on other than the spectacle of its busily spinning parts, which might be tolerable if the first two hours weren’t…

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Review of Joyride (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 23 Dec 2022

Joyride, a grievously schematic blend of odd-couple comedy and life-affirming road movie, traverses the Irish countryside with a small degree…

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Review of Babylon (2022)

By Brian Lowry (913) for CNN (497) on 23 Dec 2022

Despite a stellar cast and showy moments (given who’s involved how could there not be…

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Review of Babylon (2022)

By Brian Lowry (913) for CNN (497) on 23 Dec 2022

Despite a stellar cast and showy moments (given who’s involved how could there not be…

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Review of The Treasure of the Sierra Madre (1948)

By Broyax (884) on 23 Dec 2022

Une vieillerie chiante comme la pluie et pour cause, il s’agit d’une daube de John Huston, spécialiste émérite en la matière, la matière…

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Review of Decision to Leave (2022)

By Brent_Marchant (762) on 23 Dec 2022

The key to making a good thriller is to offer an intriguing, twist-filled story but not one that becomes so convoluted that it becomes indecipherable…

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