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Review of Homebody (2022)

By Alan Ng (404) for Film Threat (5,156) on 29 Dec 2022

Joseph Sackett’s feature film, Homebody, finds a charming and fresh take on the body swap formula…

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Review of Homebody (2022)

By Alan Ng (404) for Film Threat (5,156) on 29 Dec 2022

Joseph Sackett’s feature film, Homebody, finds a charming and fresh take on the body swap formula…

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Review of Whitney Houston: I Wanna Dance with Somebody (2022)

By Odie Henderson (402) for Boston Globe (6,852) on 29 Dec 2022

It’s refreshing that Lemmons focuses on the highs rather than the lows, even if it feels like buffing off the edges of her complex protagonist…

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Review of Stutz (2022)

By Bertobellamy (400) on 29 Dec 2022

Jonah Hill is becoming an interesting filmmaker…

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Review of Confess, Fletch (2022)

By Royalguy07 (396) on 29 Dec 2022

Lets just look past that the plot was very stupid and the resolution was not great to it either…

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Review of Alice, Darling (2022)

By Michael Ordona (350) for Los Angeles Times (12,977) on 29 Dec 2022

Ultimately, it’s about the bonds of sisterhood and how those who know you best and love you most can help you heal, or at least start you…

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Review of Whitney Houston: I Wanna Dance with Somebody (2022)

By Robert Daniels (336) for RogerEbert.com (5,563) on 29 Dec 2022

The indelible, unmatched voice of Houston may live on, but I Wanna Dance with Somebody lacks the ingredients of what made Houston a force that…

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Review of Peter von Kant (2022)

By Christopher Machell (333) for CineVue (2,163) on 29 Dec 2022

Beyond its gender-swapped lead role, Peter von Kant never truly ventures into new territory and so never quite justifies its own existence…

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Review of Whitney Houston: I Wanna Dance with Somebody (2022)

By Kim Hughes (164) for Original-Cin (1,156) on 29 Dec 2022

Better and more candid than anticipated yet still weirdly underwhelming, big-budget Whitney Houston biopic I Wanna Dance With Somebody achieves…

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Review of RRR (2022)

By Katezoe (154) on 29 Dec 2022

Two words fast forward. Interesting concoction of a movie. Everything but the kitchen sink…

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Review of Alice, Darling (2022)

By Lena Wilson (121) for TheWrap (3,203) on 29 Dec 2022

What saves this wallflower of a drama is its focus on the women’s friendship, which Mosaku and Horn sell with aplomb…

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Review of Barbarian (2022)

By Jebjbo (115) on 29 Dec 2022

I don't get it…

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Review of The Fabelmans (2022)

By Olivierpiel (101) on 29 Dec 2022

Spielberg's linear, clichéd/trope-ridden, simplistic and ultimately self-congratulory self-biopic is not only flat but, worse, very manipulative…

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Review of Die Hard 2 (1990)

By Profamateur (71) on 29 Dec 2022

I would say if you liked the first one, you also like the second one. More or less the same story in a different setting…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Herickdiener (70) on 29 Dec 2022

Tudo parece exageradamente um nível a acima, principalmente a costura que promete unir todas as linhas do roteiro, algo que foi o trunfo do…

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Review of Violent Night (2022)

By Barny (51) on 29 Dec 2022

Just entertaining to watch, it won't rock your world but there are good moments and a couple of clichés here and there…

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Review of A Man Called Otto (2022)

By Lex Briscuso (44) for The Playlist (3,871) on 29 Dec 2022

It’s rare that we need two of essentially the same film, rarer than rare, but “A Man Called Otto” has earned a space in the list of worthy…

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Review of The Gray Man (2022)

By Carlossolrac (39) on 29 Dec 2022

Was this movie a great flick? No. Did it entertain? Yes. Chris Evans was great in his role as funny bad guy…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Carlossolrac (39) on 29 Dec 2022

Maybe it's just me but seemed a little washed by the cultural spirit that pervades the Hollywood elite. The mystery wasn't a great mystery either…

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Review of The Gray Man (2022)

By Psyberdelic (37) on 29 Dec 2022

It's just unbeliveably stupid... something to kill time with... that's it…

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