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Review of Alcarràs (2022)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 06 Jan 2023

Amid tableaus of sundrenched landscapes, Simón’s instinct for eliciting naturalistic performances—displayed in her feature debut “Summer…

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Review of The Old Way (2023)

By Andrew Crump (271) for Paste Magazine (2,906) on 06 Jan 2023

When Donowho brings The Old Way back to the well-trod ground of old Westerns, it’s just plain old…

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Review of Wildcat (2022)

By Alanpotter17 (238) on 06 Jan 2023

Este documentário acompanha a vida de um biólogo e sua relação com dois felinos em plena floresta amazônica peruana…

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Review of Ray Donovan: The Movie (2022)

By Alanpotter17 (238) on 06 Jan 2023

Sem dúvida alguma há um bom enredo aqui, mas David Hollander confia demais no seu público da série sobre o Ray Donovan, o que o fez perder…

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Review of The Bad Guys (2022)

By Alanpotter17 (238) on 06 Jan 2023

Uma surpresa bem agradável essa animação, que começa muito engraçada com a apresentação dos personagens, basicamente animais que trabalham…

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Review of Causeway (2022)

By Steve Pond (235) for TheWrap (3,203) on 06 Jan 2023

Neugebauer, Lawrence and Henry deliver an unhurried gem that might feel slight but always feels right…

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Review of End of the Road (2022)

By R96Sk (195) on 06 Jan 2023

Ah, I wanted to like this. It tries, but 'End of the Road' isn't something I'd wanna revisit in a great hurry…

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Review of If These Walls Could Sing (2022)

By Karen Gordon (174) for Original-Cin (1,156) on 06 Jan 2023

Although [McCartney] uses her personal connection to the studio as the premise, If These Walls Could Sing ends up being a worthy history of…

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Review of The Pale Blue Eye (2022)

By Unclewillard (169) on 06 Jan 2023

Strong performances, excellent production values, and even Poe himself can't save this thriller from the weight of its pretentions…

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Review of Last Christmas (2019)

By Kelvinselimor (157) on 06 Jan 2023

Last Christmas. Take a second chance. A stunning, gorgeous and magical Christmas comedy starring the charming and funny Emilia Clarke…

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Review of Alcarràs (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 06 Jan 2023

Alcarràs appears simple, even slight at first, but is deceptively far-reaching; enough at least to have impressed a Berlinale jury led by…

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Review of The Pale Blue Eye (2022)

By Ferdosa Abdi (130) for Screen Rant (892) on 06 Jan 2023

Ultimately, The Pale Blue Eye feels like more of a missed opportunity than a story worth enjoying on its own…

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Review of Puss in Boots: The Last Wish (2022)

By Gladiador (122) on 06 Jan 2023

Depois de mais de 10 anos gato de botas ganha uma continuação que mantem a mesma diversão do primeiro, com poucos momentos engraçados e…

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Review of M3GAN (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 06 Jan 2023

Though the contortionist-level juxtaposition of an American Girl murderbot should probably be more viscerally satisfying, Cooper’s offbeat…

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Review of M3GAN (2022)

By Mattyice34 (99) on 06 Jan 2023

I wish it was rated R (apparently they cut this to PG-13 for theaters) but it’s got enough enough campy horror and humor to be a fun ride…

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Review of M3GAN (2022)

By Chase Hutchinson (96) for The Seattle Times (964) on 06 Jan 2023

Director Gerard Johnstone demonstrates a visual awareness of genre convention that he then uses to both sendup and skewer common tropes just…

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Review of This Place Rules (2022)

By Chase Hutchinson (96) for Collider (1,032) on 06 Jan 2023

With This Place Rules, Callaghan has captured who America actually is on a larger canvas, and while the manner in which he paints lessens its…

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Review of The Old Way (2023)

By Patrice Witherspoon (71) for Screen Rant (892) on 06 Jan 2023

Donowho’s western tale follows a typical formula, but there are plenty of laughs and smiles to be had throughout this familiar story…

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Review of M3GAN (2022)

By Patrice Witherspoon (71) for Screen Rant (892) on 06 Jan 2023

Thanks to the intriguing nature of the titular character’s existence, audiences everywhere can expect a thrilling horror feature that capitalizes…

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Review of M3GAN (2022)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 06 Jan 2023

It is a highly entertaining romp that doesn’t take itself too seriously and is unapologetic in both its self-awareness and sense of humour…

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