Browse Movie Reviews - Page 788 of 258,691

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Review of The Longest Day (1962)

By Broyax (884) on 26 Jan 2023

Une pléiade de stars : c’est le jeu qu’on pratique pendant tout le film pour tromper l’ennui…

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Review of Turn Every Page - The Adventures of Robert Caro and Robert Gottlieb (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 26 Jan 2023

This material is so rich probably any halfway decent filmmaker could assemble a competent doc tallying the two men’s extraordinary accomplishments…

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Review of You People (2023)

By Lisa Kennedy (833) for The New York Times (9,847) on 26 Jan 2023

Hill and London build on a nice vibe…

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Review of Plane (2023)

By Tara Brady (805) for The Irish Times (483) on 26 Jan 2023

The dialogue is yellow-pack, the set-up is so silly you wonder why they didn’t parachute in a dinosaur or set off a volcanic explosion for…

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Review of Infinity Pool (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jan 2023

There are so many elements that seduce and beguile – including the rusted-out Brutalism of the Li Tolqan prison where the cloning procedure…

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Review of Maybe I Do (2023)

By Andy Klein (675) for The A.V. Club (5,644) on 26 Jan 2023

Instead of gags, we’re treated to endless observations about love, commitment, romance, parental responsibilities, and other well-trod subjects…

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Review of You Hurt My Feelings (2023)

By Amber Wilkinson (674) for Screen Daily (1,021) on 26 Jan 2023

While Holofcener doesn’t ultimately dispute that it’s nice to be nice, she does suggest that it’s worth remembering constant positivity…

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Review of Pathaan (2023)

By Cath Clarke (570) for The Guardian (2,969) on 26 Jan 2023

The film sags a little towards the end, with a few too many implausible action sequences: characters jumping out of helicopters and fighting…

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Review of Filmmakers for the Prosecution (2023)

By Nicolas Rapold (488) for The New York Times (9,847) on 26 Jan 2023

It’s all a reminder of the labor and risks that go into creating and preserving essential imagery of the past, even for the most notorious…

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Review of Spoiler Alert (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 26 Jan 2023

Ineffective leading duo and rote script hamper otherwise affecting true story of a couple tackling terminal illness…

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Review of The Pod Generation (2023)

By Alan Ng (404) for Film Threat (5,156) on 26 Jan 2023

The Pod Generation is a science-fiction film with something to say and forces us to confront our future by asking questions…

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Review of You People (2023)

By Odie Henderson (402) for Boston Globe (6,852) on 26 Jan 2023

Director Kenya Barris, who also co-wrote the script with Jonah Hill, intended to make an edgy, race-based cringe comedy; the result is afraid…

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Review of Triangle of Sadness (2022)

By Bertobellamy (400) on 26 Jan 2023

This is 'Don't Look Up' all over again…

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Review of Midnight Cowboy (1969)

By Royalguy07 (396) on 26 Jan 2023

Seems impossible that this was made in 1969, besides some poorly aged dialogue the filmmaking and editing are so fresh and innovative…

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Review of The Pod Generation (2023)

By John Fink (368) for The Film Stage (3,162) on 26 Jan 2023

Smart and perceptive, The Pod Generation is more than a one-note big-tech satire…

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Review of Run Rabbit Run (2024)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 26 Jan 2023

Sarah Snook turns in a terrific performance which is always true to the character at every point of a complex arc…

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Review of passages (2023)

By K. Austin Collins (343) for Rolling Stone (4,035) on 26 Jan 2023

The actors, working from a script by Sachs and Mauricio Zacharias, and swept up in Sachs’s characteristically perceptive, subtle dramatic…

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Review of Passages (2023)

By K. Austin Collins (343) for Rolling Stone (4,035) on 26 Jan 2023

The actors, working from a script by Sachs and Mauricio Zacharias, and swept up in Sachs’s characteristically perceptive, subtle dramatic…

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Review of You People (2023)

By Clarisse Loughrey (259) for The Independent (259) on 26 Jan 2023

You People carries the unresolved, disjointed tension of a sitcom that’s been stretched to the two-hour mark…

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Review of Plane (2023)

By Clarisse Loughrey (259) for The Independent (259) on 26 Jan 2023

Plane is stifled by just how ordinary it is, and how closely it hews to the standard tropes of action films with longer, more descriptive –…

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