Browse Movie Reviews - Page 771 of 258,691

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Review of Shortcomings (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 30 Jan 2023

It’s a piercing portrayal of culturally specific nerd rage in Tomine’s comics; on film, it’s a little talky, and could’ve used more…

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Review of Baby Ruby (2023)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 30 Jan 2023

There’s crafty playfulness to Wohl’s approach, though; dialog can be as killer as Jo’s darkest impulses, and some scenes are drop-dead…

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Review of Pathaan (2023)

By Simon Abrams (730) for TheWrap (3,203) on 30 Jan 2023

Some high-concept set pieces rise above shoddy execution and creative mismanagement, particularly any wire stunts involving helicopters, byplanes,…

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Review of Clerks III (2022)

By Ralfbergs (725) on 30 Jan 2023

I am not a die hard fan of previous Clerks movies, but I think this was nice ending to the trilogy - yes it was not as funny maybe as first…

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Review of Devotion (2022)

By Ralfbergs (725) on 30 Jan 2023

I think it was good, but similar story I think I already saw before only this time it was more about race and for me it felt like something…

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Review of Confess, Fletch (2022)

By Ralfbergs (725) on 30 Jan 2023

I enjoyed it, really liked John Hamm's acting and the style of it, maybe the story itself could have been more better or events in it more…

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Review of Infinity Pool (2023)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 30 Jan 2023

In addition to being a film about soulless jet-setters as a new form of walking dead, grounded in and caring about nothing, Infinity Pool is…

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Review of Pamela, A Love Story (2023)

By Lindsey Bahr (430) for The Associated Press (882) on 30 Jan 2023

[Anderson] is still that open book, disarmingly funny and candid and uncynical, sitting there beautifully makeup free, letting the filmmakers…

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Review of The Fabelmans (2022)

By Bertobellamy (400) on 30 Jan 2023

Just as in 'Roma,' 'The Hand of God,' and 'Armageddon Time,' 'The Fabelmans' blends memories with fiction to give insight into the state of…

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Review of Pamela, A Love Story (2023)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 30 Jan 2023

Maybe it isn’t exactly that Pamela, a love story is unrevelatory…

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Review of You Hurt My Feelings (2023)

By Jacob Oller (247) for Paste Magazine (2,906) on 30 Jan 2023

You Hurt My Feelings, which confronts middle-aged neuroses and creative anxieties with all the subtlety of a bestselling author with a new…

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Review of Theater Camp (2023)

By Jacob Oller (247) for Paste Magazine (2,906) on 30 Jan 2023

If you’re down for a light comedy with a very specific audience, pitched somewhere between Wet Hot American Summer and John Mulaney & the…

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Review of Enola Holmes 2 (2022)

By Dostoyevsky3 (164) on 30 Jan 2023

Enola Holmes 2 doubles down on the energy to its advantage while showcasing a more exciting, wholesome, and overall inspiring sequel that takes…

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Review of Beyond Skyline (2017)

By Dukejon (132) on 30 Jan 2023

A surprisingly entertaining film…

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Review of Baby Ruby (2023)

By Wes Greene (110) for Slant Magazine (8,298) on 30 Jan 2023

The film’s depiction of the fear and uncertainty of motherhood gives in to monotony…

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Review of M3GAN (2022)

By Icamporamil (86) on 30 Jan 2023

No es la típica, cosa que me gusta, no recurre demasiado al jumpscare, cosa que me gusta…

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Review of Robin Hood: Prince of Thieves (1991)

By Stevekm (62) on 30 Jan 2023

Not the usual Robin Hood story line. The names are the same, but the story is very different. A lot of tongue in cheek humor…

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Review of EO (2022)

By Alex Godfrey (59) for Empire (3,446) on 30 Jan 2023

A beguiling and often brutal look at the life of a donkey, this hijacks your heart, your mind, your ears and your eyes from start to finish…

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Review of One Fine Morning (2022)

By Emily Zemler (55) for Observer (1,042) on 30 Jan 2023

In small ways, Hansen-Løve allows One Fine Morning to break the viewer’s heart, but overall the film is unexpectedly hopeful…

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Review of The Civil Dead (2023)

By Steven Scaife (53) for Slant Magazine (8,298) on 30 Jan 2023

Clay Tatum’s film is wholly and refreshingly uninterested in tugging at the heartstrings…

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Page 771 of 258,691

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