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Review of Pamela, A Love Story (2023)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 Feb 2023

It is very much “A Love Story,” letting Anderson do almost all of the talking…

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Review of Inheritance (2020)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 Feb 2023

Director Vaughn Stein takes forever to get this movie on its feet, and the slower he goes, the more Collins stands out as inadequate as his lead…

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Review of Inheritance (2020)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 Feb 2023

Director Vaughn Stein takes forever to get this movie on its feet, and the slower he goes, the more Collins stands out as inadequate as his lead…

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Review of Knock at the Cabin (2023)

By James Berardinelli (4,524) for ReelViews (4,523) on 02 Feb 2023

Although there are occasions when individual set pieces are effective (such as a short bit involving a locked bathroom door), the film as a…

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Review of Puss in Boots: The Last Wish (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 02 Feb 2023

How bland and forgettable this film is, without in the smallest way harnessing the real performing power of Banderas, Colman, Pugh, Winstone et al…

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Review of Body Parts (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 02 Feb 2023

Even though many of the segments are brief, Guevara-Flanagan does a remarkably thorough job in covering such a wide range of areas…

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Review of True Spirit (2023)

By Stephanie Zacharek (2,333) for Time (1,811) on 02 Feb 2023

Directed by Australian filmmaker Sarah Spillane, the picture is appealingly breezy, though it does have its share of tense moments involving…

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Review of Knock at the Cabin (2023)

By Stephanie Zacharek (2,333) for Time (1,811) on 02 Feb 2023

Even by Shyamalan’s usual standard of reminding us that he’s a thinker of deep thoughts as well as an entertainer, the result is cumbersomely…

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Review of 80 for Brady (2023)

By Stephanie Zacharek (2,333) for Time (1,811) on 02 Feb 2023

80 for Brady is brassy, ridiculous, and shameless…

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Review of 80 for Brady (2023)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 02 Feb 2023

To pretend that the film’s pleasures are more than modest is just that — pretending…

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Review of Knock at the Cabin (2023)

By A.o. Scott (2,100) for The New York Times (9,847) on 02 Feb 2023

For all its skill and cunning, Knock at the Cabin is an overwrought quasi-theological melodrama that also manages to be a half-baked thought…

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Review of Baby Ruby (2023)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 02 Feb 2023

In its empathy-driven terror and ghoulish wit — including the Chekhov’s-gun rule hilariously applied to the placenta — “Baby Ruby”…

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Review of The Whale (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 02 Feb 2023

The director of shockers such as Requiem for a Dream and Mother…

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Review of Knock at the Cabin (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2023

The bigger problem is that the movie leaves itself nowhere to go but deeper into biblical doom and gloom, with an unwavering sense of purpose…

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Review of Knock at the Cabin (2023)

By Brian Lowry (913) for CNN (497) on 02 Feb 2023

Economically told and cleverly calibrated to maximize its claustrophobic setting, it’s among the most effective films the director has delivered…

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Review of 80 for Brady (2023)

By Jim Slotek (879) for Original-Cin (1,156) on 02 Feb 2023

You could think of it as a 98-minute ad for the Super Bowl, opening as it is a week before this year’s edition…

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Review of The Fabelmans (2022)

By Alejandro970 (859) on 02 Feb 2023

Now Steven Spielberg is committed to introspection, without putting aside his distinctive style…

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Review of A Lot of Nothing (2023)

By Lisa Kennedy (833) for The New York Times (9,847) on 02 Feb 2023

In his feature debut, the director Mo McRae displays a nice way with actors and a gift for visual tension, but in aiming for absurdist humor,…

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Review of Knock at the Cabin (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 02 Feb 2023

Finally, by tethering his story’s uneasiness to the rock that is Bautista, Shyamalan delivers a star vehicle built for two…

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Review of Knock at the Cabin (2023)

By William Bibbiani (788) for TheWrap (3,203) on 02 Feb 2023

It’s a film with violence but no edge, just a disturbing idea which plays out to a grim and unsatisfying conclusion, unexplored and uninteresting…

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Page 759 of 258,691

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