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Review of Knock at the Cabin (2023)

By Stream2Bigscree (201) on 03 Feb 2023

Okay, Streamers, I know we all have been waiting on pins and needles for M. Night Shyamalan’s next feature film, and it’s finally here…

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Review of You People (2023)

By Ross Bonaime (185) for Collider (1,032) on 03 Feb 2023

If anyone could’ve updated this story for 2023, it’s Barris—as he's shown with black-ish…

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Review of Little Richard: I Am Everything (2023)

By Ross Bonaime (185) for Collider (1,032) on 03 Feb 2023

Little Richard: I Am Everything has to do a lot in its relatively short runtime, from exploring the origins of the musician, explaining both…

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Review of You Hurt My Feelings (2023)

By Ross Bonaime (185) for Collider (1,032) on 03 Feb 2023

You Hurt My Feelings is the type of film that reminds us why Holofcener is one of the best writers of comedies today, and that her ability…

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Review of 80 for Brady (2023)

By Siddhant Adlakha (174) for IGN (1,013) on 03 Feb 2023

80 for Brady is a surprisingly sweet and sentimental comedy led by four stellar performances — especially by Lily Tomlin, who’s never been…

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Review of You People (2023)

By Siddhant Adlakha (174) for IGN (1,013) on 03 Feb 2023

It’s a film that fits perfectly within the confines of a romantic comedy even while it swaps out every familiar element and explores brand-new…

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Review of Infinity Pool (2023)

By Siddhant Adlakha (174) for IGN (1,013) on 03 Feb 2023

Before Infinity Pool loses its way toward the end, it proves to be an enticing work of depravity that explores money and privilege through…

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Review of Athena (2022)

By Dunkaccino (158) on 03 Feb 2023

Athena seems to focus more on the technical details than to give us deep enough characters…

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Review of Knock at the Cabin (2023)

By Mattyice34 (99) on 03 Feb 2023

Some flashbacks and clunky M. Night dialogue hold back the tension, but Bautista continues to choose interesting projects…

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Review of A Thousand and One (2023)

By Chase Hutchinson (96) for Collider (1,032) on 03 Feb 2023

It is almost like a novel in how expansive it is, providing a sense of scope that can frequently leave this story feeling scattered…

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Review of Please Baby Please (2022)

By Hnestlyonthesly (92) on 03 Feb 2023

Amid the buzz over Andrea Riseborough's ascendancy as one of the most successful campaigners for Best Actress in Oscar history, I resolved…

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Review of 80 for Brady (2023)

By Patrice Witherspoon (71) for Screen Rant (892) on 03 Feb 2023

Thanks to the special cast chemistry, 80 For Brady’s charm shines through despite being good for only a single watch…

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Review of The Call of the Wild (2020)

By Profamateur (71) on 03 Feb 2023

It's probably a movie aimed for kids, but the story got me even as an adult…

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Review of A Thousand and One (2023)

By Patrice Witherspoon (71) for Screen Rant (892) on 03 Feb 2023

It doesn’t nail everything it set out to accomplish, but A Thousand and One is a breathtaking character study of perseverance in Black motherhood…

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Review of The Whale (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 03 Feb 2023

It’s a pleasure to see Fraser given a role he can put his heart into, and his nuanced performance saves The Whale from turning into a ghoulish…

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Review of Shotgun Wedding (2022)

By Tara Bennett (62) for IGN (1,013) on 03 Feb 2023

Jennifer Lopez and Josh Duhamel try their best with an interesting premise that’s squandered by script with barely any laughs, gratuitous…

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Review of Blonde (2022)

By Tapr (52) on 03 Feb 2023

Desconfortável. E não no bom sentido. Quase 3h no declínio e confusão mental da personagem…

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Review of The Menu (2022)

By Luciusmcgibbon (49) on 03 Feb 2023

Not bad at all, considering I was expecting a wildly different type of movie…

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Review of Knock at the Cabin (2023)

By Daniel_Endure (48) on 03 Feb 2023

Don't go in expecting any twists, turns, or surprises. This movie is about as straight-forward as they come. It's like Bros, but a thriller…

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Review of EO (2022)

By Mark Asch (48) for Little White Lies (3,136) on 03 Feb 2023

It’s also shot through with the outré symbolism and impulsivity that have long characterised its director’s long, strange career, particularly…

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Page 756 of 258,691

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