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Review of Your Place or Mine (2023)

By Lex Briscuso (44) for Slashfilm (971) on 09 Feb 2023

The stakes aren't very high in this film, and there are a few cardinal cinema sins at work here, but overall, Your Place Or Mine ends up being…

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Review of Huesera: The Bone Woman (2023)

By Marco Vito Oddo (40) for Collider (1,032) on 09 Feb 2023

The way Huesera favors metaphor above clarity will undoubtedly push some viewers away…

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Review of Blue Jean (2023)

By Hanna Flint (37) for Time Out (7,510) on 09 Feb 2023

Ultimately, Blue Jean is a non-judgmental tale of self-acceptance, intergenerational solidarity and sapphic power…

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Review of Knock at the Cabin (2023)

By Alamledp (35) on 09 Feb 2023

In M Night Shyamalan's Knock at the Cabin, a peaceful family vacation is disrupted by four mysterious visitors, each wielding elaborate medieval…

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Review of Midway (2019)

By Alamledp (35) on 09 Feb 2023

The Second World War is a subject that has been explored in film numerous times…

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Review of Richard Jewell (2019)

By Alamledp (35) on 09 Feb 2023

Clint Eastwood continues to demonstrate his storytelling prowess with 2019’s ‘Richard Jewell.’ Paul Walter Hauser shines in the role…

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Review of Consecration (2023)

By Brandon Yu (32) for The New York Times (9,847) on 09 Feb 2023

The plot, as a result, can’t quite find its momentum; it doesn’t help that most of the film’s scares fall flat on a visual and technical level…

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Review of 20 Days in Mariupol (2023)

By Therese Lacson (29) for Collider (1,032) on 09 Feb 2023

There is no comfort when watching 20 Days in Mariupol, but it's the bitter pill we must all swallow to remind ourselves of what people are…

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Review of The Deepest Breath (2023)

By Therese Lacson (29) for Collider (1,032) on 09 Feb 2023

McGann weaves together an emotional and tragic tale in the third act, one that hits hard after following the story of these two lovers throughout…

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Review of Shortcomings (2023)

By Therese Lacson (29) for Collider (1,032) on 09 Feb 2023

While Park injects his own joie de vivre to his on-screen performances as an actor, there is a distinct lackluster quality to Shortcomings…

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Review of Scrapper (2023)

By Therese Lacson (29) for Collider (1,032) on 09 Feb 2023

Its greatest strength lies in its simplicity, but that might also be where it falls flat for some…

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Review of Hannah Ha Ha (2023)

By Claire Shaffer (28) for The New York Times (9,847) on 09 Feb 2023

Jordan Tetewsky and Joshua Pikovsky, the filmmaking duo who wrote and directed the movie, are natives of the semirural townships southwest…

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Review of Somebody I Used to Know (2023)

By Manuel Betancourt (27) for The A.V. Club (5,644) on 09 Feb 2023

The film’s rom-com template feels more like a structure to play with, a solid foundation on which to question the very tenets of romance and comedy…

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Review of Your Place or Mine (2023)

By Manuel Betancourt (27) for The A.V. Club (5,644) on 09 Feb 2023

Your Place Or Mine isn’t that invested in crafting a world that looks anything like ours; it’s arguably more interested in giving its supporting…

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Review of Somebody I Used to Know (2023)

By Samantha Bergeson (25) for IndieWire (3,631) on 09 Feb 2023

Somebody I Used to Know doesn’t chalk up a failed relationship to circumstance or even bad choices…

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Review of The Opposite of Sex (1998)

By Realperson2018 (18) on 09 Feb 2023

Pretty much flawless gay comedy based on comically flawed characters. The movie holds up pretty well more than 20 years later…

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Review of Somebody I Used to Know (2023)

By Emily Bernard (17) for Collider (1,032) on 09 Feb 2023

Somebody I Used To Know—like life—can’t be clearly defined…

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Review of Who Invited Charlie? (2023)

By Emily Bernard (17) for Collider (1,032) on 09 Feb 2023

The indie dramedy Who Invited Charlie…

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Review of 80 for Brady (2023)

By Nate Richard (16) for Collider (1,032) on 09 Feb 2023

80 for Brady is not the new golden standard of sports comedies, but it was clearly never trying to be…

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Review of Apollo 10½: A Space Age Childhood (2022)

By Rekiaz (16) on 09 Feb 2023