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Review of Dreamin' Wild (2023)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 04 Aug 2023

Dreamin’ Wild is an elegant appreciation of the many textures of aging, balancing the feel of rhapsodic memories and shuddery regrets…

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Review of Meg 2: The Trench (2023)

By Robbie Collin (1,612) for The Telegraph (1,120) on 04 Aug 2023

Meg 2, by design, is a completely anonymous bag of lukewarm McDonalds – it’s hard to be mad at it, but only because nothing in it stands…

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Review of Meg 2: The Trench (2023)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Aug 2023

Much as in his atrocious remake of “Rebecca” in 2020, Wheatley mostly phones it in here, and he does so with a rotary landline…

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Review of Shortcomings (2023)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 04 Aug 2023

As a director, Park stages his scenes with an unadorned flatness that strives to approximate the humdrum workaday poetry of Tomine’s comic-book…

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Review of Dreamin' Wild (2023)

By Rex Reed (1,506) for Observer (1,042) on 04 Aug 2023

A fact-based film about the life-altering pain of failure, the thrill of belated success, and the challenges inherent in both, Dreamin’ Wild…

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Review of Meg 2: The Trench (2023)

By Alonso Duralde (1,351) for The Film Verdict (26) on 04 Aug 2023

Whether the eventual people-eating of the film’s final act merits enduring the turgid early portions of Meg 2: The Trench is, of course,…

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Review of Dreamin' Wild (2023)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 04 Aug 2023

A well-cast, modestly affecting drama of the kind studios regularly programmed in the before-IP times, it boasts a generous heart gently dusted…

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Review of Kokomo City (2023)

By Michael Rechtshaffen (1,086) for Los Angeles Times (12,977) on 04 Aug 2023

A constantly surprising, undeniably entertaining portrait that proves anything but monochromatic…

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Review of Dreamin' Wild (2023)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 04 Aug 2023

Dreamin’ Wild, as I’ve noted, has its issues: There are lines of dialogue so blunt that I actually found myself bursting out laughing during…

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Review of Meg 2: The Trench (2023)

By Neil Smith (699) for Total Film (3,532) on 04 Aug 2023

The first Meg never pretended to be anything more than a shamelessly imitative, big-fish smackdown…

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Review of Broker (2022)

By Bertobellamy (400) on 04 Aug 2023

Hirokazu Kore-eda continues his exploration of the meaning of family in 'Broker,' which touches on the delicate subject of human trafficking…

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Review of The Passenger (2023)

By Nick Allen (397) for RogerEbert.com (5,563) on 04 Aug 2023

Even if this movie doesn’t achieve a great epiphany at the end of the darkest route, it offers a great showcase for Gallner in particular…

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Review of Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

By Nick Allen (397) for The Playlist (3,871) on 04 Aug 2023

In this movie’s wise deconstruction of its characters, “Mutant Mayhem” does the seemingly impossible and makes the Teenage Mutant Ninja…

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Review of The Passenger (2023)

By Nick Allen (397) for RogerEbert.com (5,563) on 04 Aug 2023

Even if this movie doesn’t achieve a great epiphany at the end of the darkest route, it offers a great showcase for Gallner in particular…

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Review of Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

By Metacriticonur (388) on 04 Aug 2023

Excellent [ ek-suh-luhnt ] adjective possessing outstanding quality or superior merit; remarkably good…

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Review of Til Death Do Us Part (2023)

By Monica Castillo (380) for RogerEbert.com (5,563) on 04 Aug 2023

Although it resembles the far sleekier “Ready or Not,” Timothy Woodward Jr.'s actioner Til Death Do Us Part never gets near that level…

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Review of Meg 2: The Trench (2023)

By Ryan Gilbey (367) for The Guardian (2,969) on 04 Aug 2023

The sequel alternately treads water and splashes around frantically in search of an identity…

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Review of Shortcomings (2023)

By Robert Daniels (336) for RogerEbert.com (5,563) on 04 Aug 2023

Shortcomings is a wickedly funny, absorbing character study and solo feature directorial debut by actor Randall Park (“Fresh off the Boat”)…

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Review of Meg 2: The Trench (2023)

By Chris Evangelista (306) for Slashfilm (971) on 04 Aug 2023

I don't fault Meg 2: The Trench for being silly. I do fault it for being boring. …

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Review of Aporia (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 04 Aug 2023

Greer, Gathegi and Maadi are all on-point as regular people facing spatial-temporal realities the impact of which they fail to fully grasp…

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Page 73 of 258,691

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