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Review of Ant-Man and the Wasp: Quantumania (2023)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 15 Feb 2023

“Ant-Man: Quantumania” is a glum, tiresome exercise that follows the pattern of every run-of-the-mill superhero movie ever made…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 15 Feb 2023

Clocking in a relatively breezy 125 minutes and featuring a dazzling array of VFX and CGI, “Quantumania” manages to tell an intimate family…

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Review of Marlowe (2023)

By Nick Schager (2,294) for The Daily Beast (380) on 15 Feb 2023

While the star adequately acquits himself, Neil Jordan’s throwback noir is a cover song that knows all the notes but can’t capture its…

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Review of Marlowe (2023)

By A.o. Scott (2,100) for The New York Times (9,847) on 15 Feb 2023

The cast is large and the costume and set designers have been kept busy with period details, but “Marlowe” neither dutifully copies nor…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 15 Feb 2023

The clarity and imagination of the world-building carried me through, as well as the fountain of charm that is Paul Rudd…

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Review of Marlowe (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 15 Feb 2023

Less intriguingly convoluted than concussed into lifelessness, “Marlowe” is the cinematic equivalent of a word salad: It parrots all the…

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Review of Marlowe (2023)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 15 Feb 2023

Revisionist this may be, but it’s done with smarts and, sure ... perceptiveness and sensitivity…

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Review of Marlowe (2023)

By Liam Lacey (1,725) for Original-Cin (1,156) on 15 Feb 2023

There’s nothing here that sparks surprise. The film remains mechanical and stilted, like some grim combination of taxidermy and ventriloquism…

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Review of Of an Age (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 15 Feb 2023

Anton conveys a deep well of unrequited longing that is so powerful, it doesn’t really need storytelling gimmicks…

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Review of Jethica (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 15 Feb 2023

At once dryly funny and surprisingly poignant, Jethica uses the paranormal as a metaphor for abusive male behavior…

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Review of Of an Age (2023)

By Katie Walsh (1,279) for The Seattle Times (964) on 15 Feb 2023

Impeccably written and beautifully performed by Anton and Green, Of an Age is a profoundly moving film about the beauty and the horror of what…

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Review of 88 (2023)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 15 Feb 2023

Overall, the approach proves too cluttered and diffused, especially if the goal — as it should be here — is to build real dramatic tension…

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Review of Marcel the Shell with Shoes On (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 15 Feb 2023

If you scrunch up your eyes and tilt your head you could imagine yourself watching an avant-garde animation at a Brooklyn art house…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By Richard Brody (868) for The New Yorker (1,837) on 15 Feb 2023

The best thing about “Quantumania” is, surprisingly, its script (by Jeff Loveness), which is like saying that the best thing about a building…

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Review of Sharper (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 15 Feb 2023

When the narrative knife is as dull as it is here, there is just no fun in bleeding out…

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Review of C.H.U.D. (1984)

By Panchogul (602) on 15 Feb 2023

El nombre C.H.U.D…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 15 Feb 2023

Quantumania goes big, but it never forgets that Ant-Man is our guy…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By David Sims (534) for The Atlantic (1,046) on 15 Feb 2023

Anytime Quantumania allows itself to get a little silly, it’s in much better shape…

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Review of Marlowe (2023)

By Jake Coyle (526) for The Associated Press (882) on 15 Feb 2023

As much as Neeson might seem to have the special set of skills required to play Marlowe, his detective feels hollow and maybe a little too tired…

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Review of Hidden Blade (2023)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 15 Feb 2023

While it is imminently watchable, it’s a movie that consists of mostly people sitting at tables with fantastic period clothing plotting and…

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