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Review of Bono & The Edge: A Sort of Homecoming with Dave Letterman (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 16 Mar 2023

Yes, Letterman is a big U2 guy (he once had the band on for an entire week’s worth of shows) — but this is one odd albeit sometimes charming…

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Review of Boston Strangler (2023)

By Nick Schager (2,294) for The Daily Beast (380) on 16 Mar 2023

It has one thing to say, and it says it over and over again with a dismal lack of nuance…

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Review of Moving On (2023)

By A.o. Scott (2,100) for The New York Times (9,847) on 16 Mar 2023

Something else is missing here — a farcical energy or satirical audacity that might shock the premise to unsettling life, or else a deeper,…

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Review of Shazam! Fury of the Gods (2023)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 16 Mar 2023

Directed by David F…

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Review of Tetris (2023)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 16 Mar 2023

It's so repetitive that it will make you want to pick up your phone while it’s playing on Apple TV. You should play Tetris…

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Review of Boston Strangler (2023)

By Tim Robey (1,578) for The Telegraph (1,120) on 16 Mar 2023

This film pretends to be cleaning house chez Mr Strangler, when it’s just pushing dust around…

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Review of Boston Strangler (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 16 Mar 2023

Washed in an unappetizing sludge of grayish green, the movie aims for serious and settles on bilious…

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Review of Full River Red (2023)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 16 Mar 2023

Zhang’s own authorial touch is unmistakable in the mazelike palace intrigues, the phalanxes of armed soldiers and the ferocious bursts of…

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Review of Boston Strangler (2023)

By Mike Scott (1,178) for New Orleans Times-Picayune (573) on 16 Mar 2023

An oddly inert and even old-fashioned yarn, one that sleepwalks for long stretches, defusing much of the drama of what is an undeniably fascinating…

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Review of Boston Strangler (2023)

By Brent Simon (1,142) for The A.V. Club (5,644) on 16 Mar 2023

The movie attempts to serve multiple narrative masters, but ends up coming across as vague and indistinct…

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Review of Marlowe (2023)

By Donald Clarke (1,051) for The Irish Times (483) on 16 Mar 2023

Neeson is, of course, perfectly capable of chewing through the quips while carrying the city’s sins on his broad shoulders…

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Review of Evil Dead Rise (2023)

By Matt Donato (975) for IGN (1,013) on 16 Mar 2023

Evil Dead Rise is both a familiar and refreshing Evil Dead sequel that delivers all the gore you’d expect with a measured dose of the humor…

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Review of Brooklyn 45 (2023)

By Matt Donato (975) for Slashfilm (971) on 16 Mar 2023

Brooklyn 45 is a tragic fireside reminder about how easily good men and women can be corrupted, whether by propaganda rhetoric or the ghosts…

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Review of Boston Strangler (2023)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 16 Mar 2023

In their matter-of-fact toughness and mostly unshakable composure, Knightley and Coon are riveting as their characters navigate boys’ club…

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Review of Shazam! Fury of the Gods (2023)

By Amy Nicholson (961) for The New York Times (9,847) on 16 Mar 2023

Sandberg started his career in small horror films, and doesn’t seem to have much ambition to scale up…

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Review of Evil Dead Rise (2023)

By Joe Leydon (915) for Variety (12,700) on 16 Mar 2023

In keeping with “Evil Dead” tradition, there’s also an abundance of bloody mayhem that increases exponentially until a hugely satisfying…

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Review of Boston Strangler (2023)

By Brian Lowry (913) for CNN (497) on 16 Mar 2023

Given the enduring fascination with such material, underscored by all the recent productions about Jeffrey Dahmer and Ted Bundy, this is one…

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Review of Shazam! Fury of the Gods (2023)

By Brian Lowry (913) for CNN (497) on 16 Mar 2023

Shazam…

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Review of Bono & The Edge: A Sort of Homecoming with Dave Letterman (2023)

By Jim Slotek (879) for Original-Cin (1,156) on 16 Mar 2023

An unusual blend of a travel show and those MTV staple Unplugged specials, Bono & The Edge: A Sort of Homecoming, with Dave Letterman on Disney+…

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Review of Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Village- (2023)

By Alejandro970 (859) on 16 Mar 2023

Here it should be noted that it is not a new film, but rather a fusion of episodes from the end of the second season, and a plot that serves…

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