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Review of A Good Person (2023)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Mar 2023

Although narrative aspects of A Good Person occasionally veer into areas that are either cliched or artificial, many individual scenes are…

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Review of Spinning Gold (2023)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 30 Mar 2023

As a movie, Spinning Gold is a clumsy effort with a lot wrong with it, except for the real-life story, which never stops being interesting…

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Review of Spinning Gold (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 30 Mar 2023

It’s like a strange and misguided takeoff on “All That Jazz” as funneled through “Rock of Ages,” and while there’s no denying the…

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Review of Dungeons & Dragons: Honor Among Thieves (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 30 Mar 2023

Co-directors Jonathan Goldstein and John Francis Daley, working from a script they penned with Michael Gilio, have struck the right balance…

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Review of Rye Lane (2023)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 30 Mar 2023

Rye Lane celebrates Black romantic adventure, simply by finding new avenues (literal and figurative) to explore…

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Review of A Thousand and One (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 30 Mar 2023

In A Thousand and One, [Rockwell] packs a great deal into her filmmaking, which bristles with looks, gestures, bodies in breakneck motion and…

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Review of Enys Men (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 30 Mar 2023

At times, Jenkin’s bold, experimental style can perplex; but his vision is so unwavering and beholden to local history that his message is…

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Review of The Cow Who Sang a Song into the Future (2023)

By Wendy Ide (1,500) for The Observer (UK) (826) on 30 Mar 2023

Blending science fiction and magical realism, environmental catastrophe and family secrets, Francisca Alegría’s heady mystery is an ambitious…

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Review of Kill Boksoon (2023)

By Wendy Ide (1,500) for Screen Daily (1,021) on 30 Mar 2023

Aside from the mother-daughter relationship angle, this splashy, showy assassin picture doesn’t really cover any new ground…

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Review of Enys Men (2023)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 30 Mar 2023

Nature nurtured into an eerie consciousness by a celluloid craftsman, it feels like a throwback to “Wicker Man”-era folk-tinged freakouts…

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Review of Dungeons & Dragons: Honor Among Thieves (2023)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 30 Mar 2023

The film’s affable nature and the sheer charisma oozing off Pine and Grant is intoxicating, but overall, there’s a sense that it doesn’t…

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Review of Dungeons & Dragons: Honor Among Thieves (2023)

By Donald Clarke (1,051) for The Irish Times (483) on 30 Mar 2023

Honour Among Thieves could have tidied away its plot more economically, but the leisurely pacing does allow us to connect with the surprisingly…

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Review of The Unheard (2023)

By Matt Donato (975) for Paste Magazine (2,906) on 30 Mar 2023

The technical merits and performance strengths are beyond competent here, but that’s before the 90-minute mark washes everything in the dullest…

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Review of Enys Men (2023)

By David Fear (910) for Rolling Stone (4,035) on 30 Mar 2023

Enys Men is for us. It’s a cult classic that didn’t feel the need to kill time in order to be called cult or classic…

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Review of Spinning Gold (2023)

By Lisa Kennedy (833) for The New York Times (9,847) on 30 Mar 2023

With filial care but a flawed script, the filmmaker delves into what drove Bogart, the man, more than Bogart, the artis…

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Review of Please Baby Please (2022)

By Tara Brady (805) for The Irish Times (483) on 30 Mar 2023

It’s not for everyone. Please Baby Please often forgets that it’s a musical, and the action is increasingly chaotic…

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Review of Rye Lane (2023)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 30 Mar 2023

Rye Lane keeps winning you over by being a satiric-yet-sincere love letter to creative expression as much as to love itself…

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Review of Kill Boksoon (2023)

By Leslie Felperin (768) for The Guardian (2,969) on 30 Mar 2023

Like a lot of topline Korean films, this prestige action thriller is a little too long at 137 minutes, but it’s consistently entertaining…

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Review of The Cow Who Sang a Song into the Future (2023)

By Cath Clarke (570) for The Guardian (2,969) on 30 Mar 2023

While, yes, TCWSSF is a dreamy magical realist fable with an environmental message, Alegría weaves into her tale an emotionally satisfying,…

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Review of Malum (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 30 Mar 2023

Malum has enough budget to be too glossy to be gutter fun, and adds little visually much beyond some very mediocre practical effects, often…

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Page 582 of 258,691

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