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Review of Mafia Mamma (2023)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 12 Apr 2023

Mafia Mamma is a one-joke movie, but it finds ways to keep that one joke funny for 100 minutes…

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Review of Mafia Mamma (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 12 Apr 2023

Run, don’t walk, away from any temptation you might have to see the off-putting, unfunny, clunky and cartoonishly terrible would-be mob comedy…

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Review of Renfield (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 12 Apr 2023

With Cage delivering the goods in a juicy supporting role, and Hoult and Awkwafina developing a nice buddy-cop type chemistry, Renfield is…

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Review of Renfield (2023)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 12 Apr 2023

The actors are having fun here and, for a while, so will the audience. But the payoff just isn’t there…

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Review of Renfield (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 12 Apr 2023

Cheesy, strident, ridiculous and sometimes disarmingly, stupidly funny, Renfield doesn’t go for the jugular as much as give it a playful…

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Review of How to Blow Up a Pipeline (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 12 Apr 2023

As a thriller channeling the deepest anxieties of its era, however, How to Blow Up a Pipeline feels urgently, unmistakably of its time…

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Review of Chupa (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 12 Apr 2023

As with the similar ‘80s and ‘90s films of director Chris Columbus (a producer on this project), the characters in Chupa are likable and…

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Review of Jason Isbell: Running With Our Eyes Closed (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 12 Apr 2023

The situation isn’t that catastrophic for Isbell in this film, but in a way that’s what makes it so moving…

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Review of One Day as a Lion (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 12 Apr 2023

Nothing that happens really matters that much…

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Review of Lewis Capaldi: How I'm Feeling Now (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 12 Apr 2023

This revealing film is filled with pleasant balladry from a likable troubadour; but it also shows what it’s like to sing his little tunes…

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Review of Mafia Mamma (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 Apr 2023

In contrast to Bellucci, who underplays in dignified fashion, Collette works hard, very hard, to sell the concept and her character…

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Review of Showing Up (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 12 Apr 2023

In her latest film, Showing Up, Kelly Reichardt, the director of 2019’s “First Cow” and virtuosa of slow cinema, turns her thoughtful…

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Review of Mafia Mamma (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 12 Apr 2023

It’s all played for laughs, which fail to materialize in a story that milks easy cliches and stereotypes about Italians, pasta and sexual…

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Review of Mafia Mamma (2023)

By Peter Debruge (1,557) for Variety (12,700) on 12 Apr 2023

A fun fish-out-of-water farce with “Godfather” DNA and a clever female-empowerment kick, Mafia Mamma makes inspired use of Collette, who’s…

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Review of Mafia Mamma (2023)

By Tim Grierson (1,482) for Screen Daily (1,021) on 12 Apr 2023

It is a shame that director Catherine Hardwicke’s film cannot match its star’s inspired turn, settling for a likeable but strained fish-out-of-water…

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Review of Renfield (2023)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 12 Apr 2023

Though Nicholas Hoult is charming as he struggles to find inner strength, Renfield lives or dies by Nic Cage camping it up. And he delivers…

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Review of Evil Dead Rise (2023)

By David Jenkins (910) for Little White Lies (3,136) on 12 Apr 2023

While there’s a loving homage element to the film, Cronin isn’t merely attempting to ape the hysterical dynamics and acrobatic camera moves…

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Review of Mafia Mamma (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 12 Apr 2023

Even in Kristin’s quietest, most contemplative moments, Collette can’t stop bugging her eyes or yanking down her mouth – which, to be…

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Review of Renfield (2023)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 12 Apr 2023

This sometimes clever, outrageously gory and slickly violent horror comedy is more “John Wick” than Tod Browning, and that’s just the…

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Review of Renfield (2023)

By Kate Erbland (681) for IndieWire (3,631) on 12 Apr 2023

It’s all an approximation of fun, mirth in tiny portions, amusement of the thinnest variety…

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Page 518 of 258,691

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