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Review of The Pope's Exorcist (2023)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 14 Apr 2023

It’s impossible to take any of this remotely seriously, or find it particularly frightening. But it is its own sort of fun, at least for a while…

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Review of Mafia Mamma (2023)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 14 Apr 2023

This high-concept romp demands an over-the-top and facile narrative, and some of the bits are a bit hackneyed, but Mafia Mamma is much more…

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Review of Renfield (2023)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 14 Apr 2023

The material meant to beef up this story is so bland and underdeveloped it makes Renfield feel like a sketch concept stretched thin to feature length…

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Review of Mr. Harrigan's Phone (2022)

By Imthenoob (1,101) on 14 Apr 2023

I wish they'd learn that not everything by King needs to be adapted…

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Review of Renfield (2023)

By Donald Clarke (1,051) for The Irish Times (483) on 14 Apr 2023

Mid-grade comedy Drac at best. Diverting for all that…

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Review of You Can Live Forever (2023)

By Chris Knight (998) for Original-Cin (1,156) on 14 Apr 2023

One can forgive the occasional stumble in such a powerful debut feature…

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Review of Renfield (2023)

By Amy Nicholson (961) for Wall Street Journal (3,071) on 14 Apr 2023

Mr. McKay’s comedy is at its best when his tone is big, ridiculous and cheerfully subversive…

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Review of Renfield (2023)

By Richard Brody (868) for The New Yorker (1,837) on 14 Apr 2023

It’s bouncy, clever, amiable, and idiosyncratic, but its virtues seem inseparable from its over-all inertness and triviality…

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Review of Interview with the Vampire (1994)

By Alejandro970 (859) on 14 Apr 2023

The story of a vampire that, in the first person, narrates the moral side, as well as the advantages and disadvantages of being an immortal,…

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Review of One Fine Morning (2022)

By Tara Brady (805) for The Irish Times (483) on 14 Apr 2023

Seydoux and Poupand bring plenty of emotional clout to their roles, even if the script straddles uncomfortably between verité and melodrama…

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Review of The Last Kingdom: Seven Kings Must Die (2023)

By Leslie Felperin (768) for The Guardian (2,969) on 14 Apr 2023

There’s a ton of plot crammed tightly into the running time, but director Edward Bazalgette manages the storytelling efficiently, helped…

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Review of Sakra (2023)

By Simon Abrams (730) for RogerEbert.com (5,563) on 14 Apr 2023

Yen doesn’t exactly swing for the fences here, but Sakra still lands exactly where its multi-hyphenate star needs it to…

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Review of Till (2022)

By Mauro_Lanari (665) on 14 Apr 2023

(Mauro Lanari) It may be written integration but it is pronounced conformism…

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Review of The Pope's Exorcist (2023)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 14 Apr 2023

Unfortunately, The Pope’s Exorcist is a watchable but far-from-special rehash of exorcism movie cliches, with detours into a Vatican conspiracy…

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Review of How to Blow Up a Pipeline (2023)

By Moviemitch96 (552) on 14 Apr 2023

A group of misfit environmentaists band together for a common cause: to blow up a pipeline and send a message to all those involved…

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Review of Shazam! Fury of the Gods (2023)

By Voodoo123 (536) on 14 Apr 2023

+Great visual effects +Great sense of fun +Excellent soundtrack -Generic plot -Basic screenplay I enjoyed this far more than some of the negative…

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Review of Air (2023)

By David Sims (534) for The Atlantic (1,046) on 14 Apr 2023

Air is a great return to Affleck’s original impulses as a director: It’s a fun, well-made film for grown-ups that gives its actors room…

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Review of Showing Up (2023)

By David Sims (534) for The Atlantic (1,046) on 14 Apr 2023

Reichardt’s grasp of realism is peerless. She’s long excelled at building simple story lines toward profound revelations…

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Review of Beau Is Afraid (2023)

By David Sims (534) for The Atlantic (1,046) on 14 Apr 2023

The film shares some of the unsettling horror of Aster’s first two films, Hereditary and Midsommar, but I’d call Beau Is Afraid a more…

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Review of Air (2023)

By David Sims (534) for The Atlantic (1,046) on 14 Apr 2023

Air is a great return to Affleck’s original impulses as a director: It’s a fun, well-made film for grown-ups that gives its actors room…

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Page 511 of 258,691

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