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Review of Ghosted (2023)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 20 Apr 2023

Ghosted is repellent without ever quite being obnoxious and worthless without ever being boring…

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Review of Ghosted (2023)

By Owen Gleiberman (3,271) for Variety (12,700) on 20 Apr 2023

The movie is a romantic action comedy that starts off light and breezy but turns, before you know it, into a dead-weight spectacle of wretched excess…

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Review of Beau Is Afraid (2023)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 20 Apr 2023

Phoenix acts his ass off, often entertainingly, and from the hoariest of ancient dark-comic tactics, Aster pulls off the occasional little…

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Review of Ghosted (2023)

By Nick Schager (2,294) for The Daily Beast (380) on 20 Apr 2023

Featuring not a single convincing element or exchange, this fiasco plays like a wannabe-Knight and Day exercise in eliciting annoyed reactions…

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Review of Evil Dead Rise (2023)

By Nick Schager (2,294) for The Daily Beast (380) on 20 Apr 2023

Evil Dead Rises is confirmation that—like so many that have come before it—Raimi’s legendary horror saga has run out of steam, continuing…

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Review of Beau Is Afraid (2023)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 20 Apr 2023

I respect a film for being as daring, original and personal as this one is, but by the third act it starts to feel like an extended therapy…

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Review of Guy Ritchie's The Covenant (2023)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 20 Apr 2023

Mr…

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Review of Longest Third Date (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 20 Apr 2023

That disconnect between people’s performative selves and their true selves is the most intriguing part of Longest Third Date because it also…

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Review of The Last Kingdom: Seven Kings Must Die (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 20 Apr 2023

Though “Seven Kings Must Die” suffers some from the gray palette, dim lighting and general somberness that weighs heavy on a lot of modern…

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Review of One True Loves (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 20 Apr 2023

There are talented people up and down the One True Loves cast and crew list, so it really makes no sense that director Andy Fickman’s film…

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Review of Chevalier (2023)

By Moira Macdonald (1,892) for The Seattle Times (964) on 20 Apr 2023

History almost erased Joseph Bologne; this film lets him live again…

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Review of Somewhere in Queens (2023)

By Glenn Kenny (1,728) for The New York Times (9,847) on 20 Apr 2023

Here, Romano sticks to the outer-borough Italian American milieu of his series. The results are mixed…

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Review of Ghosted (2023)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 20 Apr 2023

There’s a funny notion in Chris Evans effectively playing a damsel in distress, but like everything else in Ghosted, the filmmakers have…

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Review of Ghosted (2023)

By John Anderson (1,358) for Wall Street Journal (3,071) on 20 Apr 2023

The action is plentiful, but not particularly well-executed (though lots of extras are), and neither Mr. Evans nor Ms. Armas is really a comedian…

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Review of Little Richard: I Am Everything (2023)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 20 Apr 2023

A long-overdue creation corrective that gives an outwardly revolutionary cultural icon his trailblazing due at the same time it grapples with…

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Review of Chevalier (2023)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 20 Apr 2023

Directed by Stephen Williams with a sense of momentum and fluidity, it’s hard to shake the feeling that this version of Bologne’s life…

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Review of Ghosted (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 Apr 2023

This gender-swapped riff on “The Spy Who Dumped Me” was shot like a car commercial, lazily borrows from an obvious litany of actual Hollywood…

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Review of Cocaine Bear (2023)

By Imthenoob (1,101) on 20 Apr 2023

I went into this knowing it would be a dumb movie and even with those low standards, I still was surprised at how god-awful it was…

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Review of Somewhere in Queens (2023)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 20 Apr 2023

Somewhere in “Queens” lies a stronger, more unique and inspiring story about family, culture and the place we call home…

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Review of Quasi (2023)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 20 Apr 2023

The flaws are part of the overall effect — spontaneous and human…

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Page 491 of 258,691

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