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Review of The Mother (2023)

By Peter Travers (3,602) for ABC News (186) on 12 May 2023

Jennifer Lopez and all the mothers out there deserve better than this gross, cringey gorefest about a military-trained assassin (JLo) who makes…

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Review of The Mother (2023)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 12 May 2023

Lacking the velocity and excitement of an action movie and the reality of good drama, The Mother is the worst of both worlds…

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Review of Hypnotic (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 12 May 2023

Hypnotic is an uneven, at times mesmerizing and dazzling mind-bender of a psychological thriller that plays like a drive-in movie version of…

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Review of The Mother (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 12 May 2023

I’m not going to spoil the epilogue in the slick but trashy and quite dumb Jennifer Lopez action movie The Mother, but I will say it’s…

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Review of The Mother (2023)

By Stephanie Zacharek (2,333) for Time (1,811) on 12 May 2023

The Mother would be more effective if she could wink at the audacity of the material instead of just playing it all straight…

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Review of STILL: A Michael J. Fox Movie (2023)

By Stephanie Zacharek (2,333) for Time (1,811) on 12 May 2023

There’s no way to put a positive spin on Parkinson’s…

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Review of Fool's Paradise (2023)

By Nick Schager (2,294) for The Daily Beast (380) on 12 May 2023

A satire that’s neither sharp enough to make its industry skewering sting, nor sweet enough to compensate for its toothlessness…

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Review of It Ain't Over (2023)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 12 May 2023

The movie about his life and legend, written and directed by Sean Mullin, has two purposes and succeeds delightfully at both…

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Review of BlackBerry (2023)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 12 May 2023

BlackBerry is a biography of a once-great business that is fascinating enough on its own terms without being reshaped to fit a narrative formula…

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Review of The Mother (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 12 May 2023

From scene to scene, Lopez and Caro do fill these broad outlines with real feeling, bringing a personal touch to old pulp archetypes…

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Review of Crater (2023)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 12 May 2023

In a clever use of metaphor, the filmmakers have built an appealing world of wonders, hidden below the moon’s barren surface — suggesting…

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Review of Crater (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 May 2023

While the disparate thematic elements don’t mesh together seamlessly in Crater, the film offers enough fun and thrills to swell the ranks…

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Review of Hypnotic (2023)

By Robbie Collin (1,612) for The Telegraph (1,120) on 12 May 2023

An entirely uproarious 90 minutes at the cinema which asks nothing more of its audience than that they keep their incredulity suspended for…

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Review of STILL: A Michael J. Fox Movie (2023)

By Robbie Collin (1,612) for The Telegraph (1,120) on 12 May 2023

Where the film moves from compelling to revelatory is in its use of archive footage of Fox – from his films and shows, but also televised…

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Review of Book Club: The Next Chapter (2023)

By Tim Robey (1,578) for The Telegraph (1,120) on 12 May 2023

So glibly controlled is the entire cruise, you wonder if it’s without a boatman, gliding on tracks underwater…

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Review of Book Club: The Next Chapter (2023)

By Rex Reed (1,506) for Observer (1,042) on 12 May 2023

The four stars deserve better material, but even they seem to enjoy themselves (and each other)…

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Review of Nam June Paik: Moon Is the Oldest TV (2023)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 May 2023

Ms…

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Review of STILL: A Michael J. Fox Movie (2023)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 May 2023

The pace is nonstop, the humor abundant, the devotion of Mr…

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Review of The Starling Girl (2023)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 12 May 2023

The Starling Girl doesn’t always hold our attention, mainly due to an occasionally shaggy pace that forgets we’re often ahead of the plot…

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Review of STILL: A Michael J. Fox Movie (2023)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 12 May 2023

There are life lessons here to be learned and shared, for sure. But the film moves with such thrilling pacing it feels more like a celebration…

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Page 411 of 258,691

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